
Not Rated
As the tragic war of fratricide is drawing to a close, a special agent nicknamed Dokbul, Kang Cheol-gu, is given an intelligence mission to identify and confirm the enemy's unusual movements. While on a mission, Cheol-gu infiltrates the enemy's camp alone and accidentally witnesses a bloody scene of massacre of civilians. He saves the only survivor, Hwang No-in, and is hinted that the enemy's plot is very dangerous. Cheol-gu approaches Mi-young, a People's Army nurse, to extract information, but is exposed to the enemy and escapes a crisis after a fierce battle. In the end, thanks to Cheol-gu's persistence, Mi-young realizes the illusion of the liberation struggle they are calling for, and transforms into Cheol-gu's collaborator to stop their horrific plot, germ warfare, and carries out the mission. However, the result of this tragic war is only futility. A war of illusions where more is lost than gained, and in the end, even the nickname Dokbul sheds hot tears.
As the tragic war of fratricide is drawing to a close, a special agent nicknamed Dokbul, Kang Cheol-gu, is given an intelligence mission to identify and confirm the enemy's unusual movements. While on a mission, Cheol-gu infiltrates the enemy's camp alone and accidentally witnesses a bloody scene of massacre of civilians. He saves the only survivor, Hwang No-in, and is hinted that the enemy's plot is very dangerous. Cheol-gu approaches Mi-young, a People's Army nurse, to extract information, but is exposed to the enemy and escapes a crisis after a fierce battle. In the end, thanks to Cheol-gu's persistence, Mi-young realizes the illusion of the liberation struggle they are calling for, and transforms into Cheol-gu's collaborator to stop their horrific plot, germ warfare, and carries out the mission. However, the result of this tragic war is only futility. A war of illusions where more is lost than gained, and in the end, even the nickname Dokbul sheds hot tears.
Without specific plot details, character arcs, or thematic content for 'A Self-Righteous Man,' a nuanced evaluation of its political bias is not possible, leading to a default neutral rating due to insufficient data.
The film, a South Korean production, features a cast that aligns with its cultural origin. Based on available information, the narrative does not explicitly focus on or critique traditional identities, nor does it center on explicit DEI themes.
The film 'A Self-Righteous Man' does not contain any discernible LGBTQ+ characters or themes. Consequently, there is no portrayal to evaluate, resulting in a 'N/A' rating for its impact on LGBTQ+ representation.
Based on available information, the film 'A Self-Righteous Man' does not appear to feature scenes where female characters engage in and win close-quarters physical combat against one or more male opponents.
There is no widely known source material or prior canon for "A Self-Righteous Man" (1988) that establishes character genders. Without a baseline, it is not possible to identify any instances of a gender swap.
There is no information to suggest that "A Self-Righteous Man" (1988) is an adaptation of source material or based on historical figures with established racial identities that were subsequently altered in the film. It is a South Korean film from 1988, and without specific evidence of a character's race being changed from a prior canon, no race swap can be identified.