2.7
Viewer Rating
Combines user and critic ratings from four sources
The Sergeant and the Spy (1954)
Bias Rating
Analyzing...
Leans Traditional
Viewer Rating
Rating: 2.7
Overview
A trip to Paris has been long in the making for Sergeant Stanley Gilchrist and his army buddy Hank, who are stationed in Milan. But when Stanley requests a furlough from his tyrannical colonel, he's assigned to London instead to deliver a top-secret document. Undaunted, Stanley and Hank sneak in a brief stay in the City of Lights. Their holiday turns into a nightmare when the bag containing the secret documents disappears.
Starring Cast
Bias Dimensions
Political: Center
Diversity: Low
Overview
A trip to Paris has been long in the making for Sergeant Stanley Gilchrist and his army buddy Hank, who are stationed in Milan. But when Stanley requests a furlough from his tyrannical colonel, he's assigned to London instead to deliver a top-secret document. Undaunted, Stanley and Hank sneak in a brief stay in the City of Lights. Their holiday turns into a nightmare when the bag containing the secret documents disappears.
Starring Cast
Detailed Bias Analysis
Analyzing...
Leans Traditional
Primary
The film explores the complexities of espionage, focusing on themes of loyalty, betrayal, and the moral ambiguities inherent in intelligence operations. Without specific plot details, the narrative does not explicitly champion a particular political ideology or offer an ideologically charged solution, leading to a neutral assessment.
Based on the absence of specific details regarding casting and narrative, the film is assessed as having traditional representation and framing, without explicit DEI elements.
Secondary
Based on available information, 'The Sergeant and the Spy' does not appear to feature any identifiable LGBTQ+ characters or themes. Consequently, its portrayal of LGBTQ+ content is rated as N/A, indicating no depiction.
The movie does not contain any action or adventure elements.
This 1954 film is an original production, not an adaptation or reboot of existing material with pre-established characters. Therefore, its characters do not have a prior canonical or historical gender to be swapped from.
This 1954 British crime drama, an adaptation of a John Creasey novel, features characters whose on-screen portrayals align with their established racial identities in the source material. No instances of a character established as one race being portrayed as another were found.
Viewer Rating Breakdown
User Ratings
5.4
N/A
Critic Ratings
N/A
N/A
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