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This is the story of the game "Candy Land," where a gingerbread boy named Jib, as he travels the Rainbow Road in search of the annual Sweet Celebration only to discover that the nefarious Lord Licorice has hatched a plan to turn the brightly colored land into a licorice-hued expanse. Now it's up to Jib and his friends Mister Mint and Princess Frostine to foil the villain's dastardly plot and save the citizens of Candy Land from certain drabness.
This is the story of the game "Candy Land," where a gingerbread boy named Jib, as he travels the Rainbow Road in search of the annual Sweet Celebration only to discover that the nefarious Lord Licorice has hatched a plan to turn the brightly colored land into a licorice-hued expanse. Now it's up to Jib and his friends Mister Mint and Princess Frostine to foil the villain's dastardly plot and save the citizens of Candy Land from certain drabness.
The film's central conflict and resolution are apolitical, focusing on universal themes of good versus evil, friendship, and courage in a fantastical setting, without promoting specific progressive or conservative ideologies.
The movie features a diverse voice cast for its fantastical characters, but its animated nature and source material mean there are no traditional human roles to be explicitly recast for DEI purposes. The narrative maintains a traditional children's story structure, focusing on adventure without critiquing traditional identities or explicitly centering DEI themes.
This animated children's film, 'Candy Land: The Great Lollipop Adventure,' does not include any discernible LGBTQ+ characters or themes. The narrative focuses on the whimsical world of Candy Land and its inhabitants without incorporating elements related to queer identity or experiences, resulting in no portrayal.
The movie does not contain any action or adventure elements.
The film adapts characters from the Candy Land board game. All established characters from the source material maintain their canonical genders in the movie. New characters introduced are original to the film and do not represent gender swaps of existing figures.
The characters in the Candy Land board game, the source material, are fantastical beings or anthropomorphic candy, not established as any specific human race. Therefore, no character in the film can be considered a 'race swap' from a prior human racial depiction.
Combines user and critic ratings from four sources