Leans Traditional
6.5
The Best Man Holiday
(2013)
Political: Leans Right
Diversity: Moderate
LGBTQ: Neutral
Onésime et l'oeuvre d'art (1913)
Bias Rating
Analyzing...
Leans Traditional
Viewer Rating
Not Rated
Overview
Ernest Bourbon gets a bust delivered. Eduoard Grissolet visits him and rhapsodizes over it. Then Bourbon is taken to the loony bin, where they perform some extreme slapstick on him. He escapes, heads home, crawls into bed. The police break in. They take him to an interrogation room and push him out a window.
Starring Cast
Bias Dimensions
Political: Center
Diversity: Low
Overview
Ernest Bourbon gets a bust delivered. Eduoard Grissolet visits him and rhapsodizes over it. Then Bourbon is taken to the loony bin, where they perform some extreme slapstick on him. He escapes, heads home, crawls into bed. The police break in. They take him to an interrogation room and push him out a window.
Starring Cast
Detailed Bias Analysis
Analyzing...
Leans Traditional
Primary
This silent slapstick comedy from 1913 is primarily focused on generating humor through absurd situations and physical gags, lacking any discernible political or ideological agenda. Its narrative centers on comedic predicaments rather than societal problems or solutions.
This early 20th-century French comedy features traditional casting and narrative framing, consistent with the societal norms and filmmaking practices of its era. The film does not exhibit explicit diversity in its cast or narrative, nor does it critique traditional identities.
Secondary
The film 'Onésime et l'oeuvre d'art' does not contain any discernible LGBTQ+ characters or thematic elements based on available plot details. Consequently, its net impact on LGBTQ+ portrayal is rated as N/A.
The movie does not contain any action or adventure elements.
This 1913 silent short film features original characters created for the screen. There is no evidence of characters being adapted from prior source material or historical figures with established genders that were subsequently changed in this film.
This 1913 silent film lacks readily available information regarding its source material or character racial depictions. Without established canonical or historical racial baselines for its characters, it is not possible to identify any instance of a race swap.
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