In late nineteenth century Vienna, renowned illusionist Eisenheim is reunited with the Duchess von Teschen when she is volunteered from the audience to participate in an illusion during one of his performances. Despite h...
In late nineteenth century Vienna, renowned illusionist Eisenheim is reunited with the Duchess von Teschen when she is volunteered from the audience to participate in an illusion during one of his performances. Despite h...
The film leans left by centrally critiquing the abuse of power and privilege by the aristocracy and championing a commoner's individual ingenuity to achieve justice against a corrupt royal, aligning with progressive values of challenging unjust hierarchies.
The movie features traditional casting with a predominantly white ensemble, consistent with its historical European setting. The narrative does not offer a critical portrayal of traditional identities and does not center on explicit diversity, equity, or inclusion themes.
The Illusionist is a period mystery romance centered on a heterosexual love story and a magical plot. There are no discernible LGBTQ+ characters, relationships, or themes present in the film's narrative, resulting in no portrayal to evaluate.
The movie does not contain any action or adventure elements.
The film is an adaptation of Steven Millhauser's short story "Eisenheim the Illusionist." All major characters, including Eisenheim, Sophie, Inspector Uhl, and Crown Prince Leopold, retain their original genders as established in the source material. No character canonically or historically established as one gender is portrayed as a different gender.
The film is an adaptation of a short story set in early 20th-century Austria. All major characters, whose implied or described race in the source material and setting is white, are portrayed by white actors. No character's race was altered from established canon or historical context.
Combines user and critic ratings from four sources