After Elizabeth, Will, and Captain Barbossa rescue Captain Jack Sparrow from the land of the dead, they must face their foes, Davy Jones and Lord Cutler Beckett. Beckett, now with control of Jones' heart, forms a dark al...
After Elizabeth, Will, and Captain Barbossa rescue Captain Jack Sparrow from the land of the dead, they must face their foes, Davy Jones and Lord Cutler Beckett. Beckett, now with control of Jones' heart, forms a dark al...
The film leans left by portraying the East India Trading Company as a tyrannical, profit-driven corporate entity whose unchecked power and colonial ambitions are the primary antagonists, thus critiquing corporate overreach and oppressive authority.
The movie exhibits light DEI characteristics, featuring visible diversity within its global cast without explicit race or gender swaps of core roles. Its narrative includes subtle critiques of colonial power and showcases a strong female character ascending to leadership, though these themes are not the central explicit focus.
The film features Elizabeth Swann, a central female character, who repeatedly engages in and wins close-quarters sword fights against multiple male opponents, including pirates and soldiers, throughout various action sequences.
Pirates of the Caribbean: At World's End does not contain any discernible LGBTQ+ characters or themes. The narrative focuses on heterosexual relationships and adventure, with no elements that could be interpreted as an LGBTQ+ portrayal, leading to an N/A rating.
This film is a direct sequel within an established franchise. All major and legacy characters maintain their previously established genders from prior installments. No characters from source material, history, or earlier adaptations have their gender changed.
This film is a direct sequel within an established film series. All returning characters maintain their original racial portrayals, and new characters introduced in this installment do not have prior canonical or historical depictions of a different race.
Combines user and critic ratings from four sources