Leans Traditional
8.3
The Elephant Man
(1980)
Political: Center
Diversity: Low
The Touch on the Key (1916)
Bias Rating
Analyzing...
Center
Viewer Rating
Not Rated
Overview
Reporter Jane Randall, who works for the Herald and Phil Norton of the Times, are competing to get the story on the Thomas Syndicate regarding when funds will be released to prevent a panic. Both head to the estate of Marsden Thomas who oversees the Syndicate. Through coercion Norton worms the info from Marsden’s son but attempts to hold up the report to do some insider trading. However, Jane with the help of her fiancé Jimmy telegraphs the Herald, gets the scoop and thwarts Nelson.
Starring Cast
Bias Dimensions
Political: Center
Diversity: Moderate
Overview
Reporter Jane Randall, who works for the Herald and Phil Norton of the Times, are competing to get the story on the Thomas Syndicate regarding when funds will be released to prevent a panic. Both head to the estate of Marsden Thomas who oversees the Syndicate. Through coercion Norton worms the info from Marsden’s son but attempts to hold up the report to do some insider trading. However, Jane with the help of her fiancé Jimmy telegraphs the Herald, gets the scoop and thwarts Nelson.
Starring Cast
Detailed Bias Analysis
Analyzing...
Center
Primary
Due to the complete absence of plot details, character arcs, or thematic information for 'The Touch on the Key,' an objective assessment of political bias is impossible, resulting in a neutral rating.
Based on the absence of specific details regarding casting, character diversity, or narrative themes, a neutral assessment is applied to the movie's diversity, equity, and inclusion characteristics. This indicates no explicit DEI elements were identified from the provided information.
Secondary
Without the film's content or plot details, a comprehensive evaluation of its LGBTQ+ portrayal cannot be performed. The assessment is therefore marked as N/A due to insufficient information.
The movie does not contain any action or adventure elements.
The Touch on the Key (1916) is an original silent film, not an adaptation or reboot of existing material. Consequently, its characters do not have prior canonical or historical gender establishments that could be swapped.
The film "The Touch on the Key" (1916) features original characters without pre-existing canonical or historical racial definitions. Consequently, no character could have been portrayed as a different race than previously established in source material or history.
More Like This
Leans Traditional
8.3
Boogie Nights
(1997)
Political: Center
Diversity: Moderate
LGBTQ: Negative
Progressive
8.6
Do the Right Thing
(1989)
Political: Strong Left
Diversity: High
Progressive
7.3
Dear White People
(2014)
Political: Strong Left
Diversity: High
LGBTQ: Positive
Center
7.4
Flags of Our Fathers
(2006)
Political: Leans Left
Diversity: Low
Center
7.2
Les Misérables
(1998)
Political: Leans Left
Diversity: Low
Leans Traditional
8.0
Blue Velvet
(1986)
Political: Center
Diversity: Low
Traditional
7.6
Cinderella Man
(2005)
Political: Leans Right
Diversity: Low
Leans Traditional
7.2
The Pursuit of Happyness
(2006)
Political: Leans Right
Diversity: Moderate
Center
8.8
It's a Wonderful Life
(1946)
Political: Leans Left
Diversity: Low
Leans Traditional
8.1
In the Bedroom
(2001)
Political: Center
Diversity: Low
Traditional
6.7
The Patriot
(2000)
Political: Strong Right
Diversity: Low
Leans Traditional
7.6
Road to Perdition
(2002)
Political: Center
Diversity: Low
Traditional
8.7
On the Waterfront
(1954)
Political: Leans Right
Diversity: Low
Leans Traditional
9.0
Sunset Boulevard
(1950)
Political: Center
Diversity: Low
Leans Traditional
6.7
Mrs. Doubtfire
(1993)
Political: Center
Diversity: Low
Leans Progressive
8.8
The Shawshank Redemption
(1994)
Political: Center
Diversity: High
LGBTQ: Negative
Center
7.8
JFK
(1991)
Political: Strong Left
Diversity: Low
LGBTQ: Negative
Leans Progressive
6.7
Romeo + Juliet
(1996)
Political: Center
Diversity: High
Center
7.7
Carlito's Way
(1993)
Political: Center
Diversity: Moderate