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A poor cobbler has a dream in which he hears the Lord promise to visit him. Instead poor people in need of food, clothing, warmth, and understanding come to him. In the end he understands that this is how the Lord visits men today.
A poor cobbler has a dream in which he hears the Lord promise to visit him. Instead poor people in need of food, clothing, warmth, and understanding come to him. In the end he understands that this is how the Lord visits men today.
The film's central message promotes individual acts of charity and compassion, rooted in Christian faith and personal responsibility, as the primary solution to human suffering, aligning with traditional moral values.
This animated short film, based on a Leo Tolstoy story, features characters consistent with its traditional Russian folk tale setting, without explicit racial or gender diversity in its depiction. The narrative focuses on universal themes of kindness and compassion, portraying its characters, including the elderly male protagonist, in a neutral to positive manner without critiquing traditional identities or centering on explicit DEI themes.
The film portrays Christian faith, charity, and compassion as highly virtuous and spiritually rewarding. Martin's actions, driven by his faith, lead to a profound spiritual experience, aligning the narrative with the dignity of the faith.
This animated short film, based on a Leo Tolstoy story, focuses on themes of charity and faith through the experiences of a cobbler. There are no identifiable LGBTQ+ characters or themes present within the narrative.
The movie does not contain any action or adventure elements.
The film is an adaptation of Leo Tolstoy's short story "Where Love Is, God Is." The main character, Martin the Cobbler, is male in the original source material and is portrayed as male in the film. No other significant characters undergo a gender swap from their established canon.
This stop-motion animated short adapts Leo Tolstoy's story about a Russian cobbler. All characters are depicted as white, consistent with the source material and setting, with no changes to established racial identities.
Combines user and critic ratings from four sources