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Combines user and critic ratings from four sources
The Company tells the thrilling story of Cold War CIA agents imprisoned in double lives, fighting an amoral, elusive, formidable enemy – and each other – in an internecine battle within the Company itself.
The Company tells the thrilling story of Cold War CIA agents imprisoned in double lives, fighting an amoral, elusive, formidable enemy – and each other – in an internecine battle within the Company itself.
The series provides a nuanced and often critical examination of Cold War espionage, exploring the moral ambiguities and human cost of covert operations without explicitly endorsing a specific political ideology or solution, thus balancing competing viewpoints.
The movie features predominantly traditional casting without explicit race or gender swaps of historically white roles. Its narrative focuses on geopolitical espionage during the Cold War, maintaining a neutral or positive framing of traditional identities rather than offering explicit critiques or centering DEI themes.
The miniseries 'The Company' does not feature any identifiable LGBTQ+ characters or themes. Its narrative is centered on Cold War espionage and the personal and professional lives of CIA agents, resulting in no LGBTQ+ portrayal to evaluate.
The series focuses on espionage and intelligence operations during the Cold War. Female characters primarily engage in intelligence gathering, manipulation, and political maneuvering, rather than direct physical combat. No instances of female characters defeating male opponents in close-quarters physical fights are depicted.
The miniseries "The Company" is a historical drama based on Robert Littell's novel of the same name. Key characters, both fictional and based on real historical figures, maintain their established gender from the source material and historical record, with no instances of gender swapping.
The miniseries "The Company" is an adaptation of a novel set during the Cold War, primarily featuring fictionalized characters. There is no evidence of any major character, established as one race in the source material or history, being portrayed by an actor of a different race.
Combines user and critic ratings from four sources