
Not Rated
Dan wins Anita away from her sweetheart Adrian with his boasts. On the beach Adrian overhears Larry, the lifeguard spinning tales of his derring-do to a group of admiring young ladies and asks for advice. Larry pins some medals on his bathing suit and sends him on his way back to Anita. Dan and Adrian then come to blows over their respective claims of bravery and Anita decides to evaluate them by pretending to be drowning. Adrian tries to save Anita, but both are caught in the undertow and it’s up to Larry to rescue them both.
Dan wins Anita away from her sweetheart Adrian with his boasts. On the beach Adrian overhears Larry, the lifeguard spinning tales of his derring-do to a group of admiring young ladies and asks for advice. Larry pins some medals on his bathing suit and sends him on his way back to Anita. Dan and Adrian then come to blows over their respective claims of bravery and Anita decides to evaluate them by pretending to be drowning. Adrian tries to save Anita, but both are caught in the undertow and it’s up to Larry to rescue them both.
The film's central subject matter of individual heroism and romantic love is inherently apolitical, and its narrative solution focuses on personal agency and connection rather than addressing any specific political or societal issues, leading to a neutral rating.
This 1915 silent film reflects the traditional casting and narrative conventions of its era. Its representation primarily features mainstream actors, and the story does not include critiques of traditional identities or explicit DEI themes.
The 1915 silent drama 'The Little Life Guard' does not contain any discernible LGBTQ+ characters or themes. Its narrative focuses on a young girl's adventures, typical of films from that era, without addressing queer identity or experiences.
The movie does not contain any action or adventure elements.
This 1915 silent film is an original production, not an adaptation of existing material with established characters or a biopic of historical figures. Therefore, there is no prior canonical gender to be swapped.
This 1915 film is an original production with no known prior source material, historical figures, or legacy characters. There is no established racial baseline for its characters to be compared against, thus precluding a race swap.