Apple TVJackass Number Two (2006)
Bias Rating
Analyzing...
Traditional
Viewer Rating
Rating: 6.7
Overview
Jackass Number Two is a compilation of various stunts, pranks and skits, and essentially has no plot. Chris Pontius, Johnny Knoxville, Steve-O, Bam Margera, and the whole crew return to the screen to raise the stakes higher than ever before.
Starring Cast
Where to watch
Apple TV
Google PlayBias Dimensions
Political: Center
Diversity: Low
LGBTQ: Negative
Christianity: Negative
Islam: Negative
Overview
Jackass Number Two is a compilation of various stunts, pranks and skits, and essentially has no plot. Chris Pontius, Johnny Knoxville, Steve-O, Bam Margera, and the whole crew return to the screen to raise the stakes higher than ever before.
Starring Cast
Where to watch
Apple TVGoogle PlayDetailed Bias Analysis
Analyzing...
Traditional
Primary
The film is fundamentally apolitical, focusing on entertainment through extreme stunts, pranks, and gross-out humor without engaging in any discernible political or societal commentary.
The film features a predominantly white, male cast engaging in stunts and pranks, consistent with its established format. There are no explicit efforts towards diverse representation or narrative framing that critiques traditional identities or promotes DEI themes.
Secondary
Jackass Number Two utilizes homoerotic and gender-bending elements primarily for shock and crude humor. These depictions often rely on discomfort and revulsion for comedic effect, rather than offering any respectful or affirming portrayal of LGBTQ+ identity, resulting in a net negative impact.
The film frequently uses Christian symbols and imagery in highly irreverent and blasphemous contexts for shock value and comedic effect. The narrative offers no counterbalancing positive portrayal, consistently presenting these sacred elements as objects of mockery.
The film features a prank where a character dresses as Osama bin Laden to terrorize a taxi driver. This segment, while intended as shock comedy, exploits and reinforces a negative stereotype by associating Islam with terrorism and violence, without offering any counterbalancing nuance.
The film primarily features male cast members performing stunts and pranks. There are no instances where a female character engages in and wins a close-quarters physical fight against one or more male opponents.
Jackass Number Two is a continuation of the Jackass franchise featuring the original cast. No established characters from previous installments or real-world personas have their gender changed in this film.
The Jackass franchise features a consistent ensemble cast playing themselves. There are no fictional characters with pre-established racial identities from source material that were recast with actors of a different race.
Viewer Rating Breakdown
6.7
Viewer Rating
Combines user and critic ratings from four sources
User Ratings
7.0
6.6
Critic Ratings
6.6
6.6
More Like This
Leans Traditional
6.5
Somewhere
(2010)
Political: Center
Diversity: Low
Leans Traditional
6.8
It's a Mad, Mad, Mad, Mad World
(1963)
Political: Center
Diversity: Low
Leans Traditional
7.7
Logan Lucky
(2017)
Political: Center
Diversity: Low
Leans Traditional
7.4
Beverly Hills Cop
(1984)
Political: Leans Right
Diversity: Moderate
Leans Traditional
8.0
Midnight Run
(1988)
Political: Center
Diversity: Low
Leans Traditional
6.7
Pineapple Express
(2008)
Political: Center
Diversity: Low
Leans Traditional
7.0
Team America: World Police
(2004)
Political: Center
Diversity: Moderate
LGBTQ: Negative
Leans Traditional
6.9
Emil and the Detectives
(1964)
Political: Center
Diversity: Low
Leans Traditional
6.9
This Is the End
(2013)
Political: Center
Diversity: Moderate
LGBTQ: Negative
Traditional
6.8
Tell It to the Marines
(1926)
Political: Strong Right
Diversity: Low
Leans Traditional
7.2
Thunderbolt and Lightfoot
(1974)
Political: Center
Diversity: Low
Leans Traditional
7.1
Innerspace
(1987)
Political: Center
Diversity: Low
Leans Traditional
8.4
The General
(1926)
Political: Center
Diversity: Low
Leans Traditional
6.8
The Matador
(2005)
Political: Center
Diversity: Low
LGBTQ: Neutral
Leans Traditional
7.4
Lethal Weapon
(1987)
Political: Leans Right
Diversity: Moderate
Leans Traditional
7.0
The Great Race
(1965)
Political: Center
Diversity: Low
Center
7.7
Men in Black
(1997)
Political: Leans Right
Diversity: Moderate
Leans Traditional
7.0
Batman
(1966)
Political: Center
Diversity: Low
Traditional
6.5
Smokey and the Bandit
(1977)
Political: Leans Right
Diversity: Low
Leans Traditional
7.5
The In-Laws
(1979)
Political: Center
Diversity: Low