HBO MaxThe Last House on the Left (2009)
Bias Rating
Analyzing...
Leans Traditional
Viewer Rating
Rating: 5.4
Overview
When athletic teen Mari Collingwood opts to hang out with her friend Paige in town rather than spend an evening in with her parents vacationing at the family's remote lake house, it marks the beginning of a night no one is going to forget.
Starring Cast
Where to watch
HBO Max
Apple TV
Google PlayBias Dimensions
Political: Center
Diversity: Low
Overview
When athletic teen Mari Collingwood opts to hang out with her friend Paige in town rather than spend an evening in with her parents vacationing at the family's remote lake house, it marks the beginning of a night no one is going to forget.
Starring Cast
Where to watch
HBO MaxApple TVGoogle PlayDetailed Bias Analysis
Analyzing...
Leans Traditional
Primary
The film focuses on universal themes of extreme violence, survival, and primal revenge in response to heinous acts, rather than explicitly promoting or critiquing specific political ideologies or systemic issues, leading to a neutral rating.
The movie features a predominantly white and mainstream cast without explicit race or gender swaps. Its narrative focuses on themes of violence and revenge, with no critical portrayal of traditional identities or explicit integration of DEI themes.
Secondary
The film "The Last House on the Left" does not feature any identifiable LGBTQ+ characters or themes. Its plot is solely centered on a violent home invasion and subsequent revenge, rendering any evaluation of LGBTQ+ portrayal inapplicable.
The movie does not contain any action or adventure elements.
The 2009 film is a remake of the 1972 original. All major characters in the remake retain the same gender as their counterparts from the source material, with no instances of a character established as one gender being portrayed as another.
The 2009 film is a remake of the 1972 original. All major characters in the 2009 version, including Mari, Krug, and the Collingwood parents, maintain the same racial depiction as their counterparts in the source material. No character canonically established as one race was portrayed as a different race.
Viewer Rating Breakdown
5.4
Viewer Rating
Combines user and critic ratings from four sources
User Ratings
6.5
6.5
Critic Ratings
4.2
4.2
More Like This
Leans Traditional
8.0
The Postman Always Rings Twice
(1946)
Political: Center
Diversity: Low
Traditional
6.6
The Gauntlet
(1977)
Political: Leans Right
Diversity: Low
Leans Traditional
8.6
The Departed
(2006)
Political: Center
Diversity: Low
LGBTQ: Negative
Leans Traditional
7.2
The Deep End
(2001)
Political: Center
Diversity: Low
LGBTQ: Neutral
Leans Traditional
7.3
Marathon Man
(1976)
Political: Center
Diversity: Low
Leans Traditional
7.6
Road to Perdition
(2002)
Political: Center
Diversity: Low
Leans Traditional
8.0
Black Swan
(2010)
Political: Center
Diversity: Low
LGBTQ: Neutral
Traditional
8.5
White Heat
(1949)
Political: Leans Right
Diversity: Low
Leans Traditional
7.9
In Cold Blood
(1967)
Political: Center
Diversity: Low
Leans Traditional
7.9
Donnie Brasco
(1997)
Political: Center
Diversity: Low
Traditional
8.1
Rope
(1948)
Political: Center
Diversity: Low
LGBTQ: Negative
Traditional
8.0
Before the Devil Knows You're Dead
(2007)
Political: Center
Diversity: Low
LGBTQ: Negative
Leans Traditional
7.9
Prince of the City
(1981)
Political: Center
Diversity: Low
Center
8.2
Mystic River
(2003)
Political: Center
Diversity: Low
Leans Traditional
7.8
Miller's Crossing
(1990)
Political: Center
Diversity: Low
Leans Traditional
7.5
Clean, Shaven
(1995)
Political: Center
Diversity: Low
Leans Traditional
6.7
Twisted Illusions
(1985)
Political: Center
Diversity: Low
Traditional
6.7
Madigan
(1968)
Political: Leans Right
Diversity: Low
Leans Traditional
8.9
The Dark Knight
(2008)
Political: Leans Right
Diversity: Moderate
Leans Traditional
8.2
Where the Sidewalk Ends
(1950)
Political: Center
Diversity: Low