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Lillo (Christian De Sica) married Milena, one of the richest women in Europe. The marriage contract provides that Lillo undertakes to never cheat on her, under penalty of divorce and not even a penny of alimony. But one day he meets Barbara (Sabrina Ferilli) and it's immediately irresistible passion... Filippo Vessato (Fabio De Luigi) is a young surgeon who, to make a career, is forced to suffer the harassment of his head, Professor Benci (Claudio Bisio). Filippo is about to go to New York to get married and Benci does not miss an opportunity to further harass him by asking him to bring a gift to his son, a "model" student at Riverside College.
Lillo (Christian De Sica) married Milena, one of the richest women in Europe. The marriage contract provides that Lillo undertakes to never cheat on her, under penalty of divorce and not even a penny of alimony. But one day he meets Barbara (Sabrina Ferilli) and it's immediately irresistible passion... Filippo Vessato (Fabio De Luigi) is a young surgeon who, to make a career, is forced to suffer the harassment of his head, Professor Benci (Claudio Bisio). Filippo is about to go to New York to get married and Benci does not miss an opportunity to further harass him by asking him to bring a gift to his son, a "model" student at Riverside College.
The film's central subject matter of light romantic comedy and personal misunderstandings lacks inherent political valence, and its narrative focuses on comedic resolutions to individual predicaments rather than promoting any specific ideological solution.
The movie features a traditional cast, predominantly composed of white Italian actors, without any explicit race or gender swaps of established roles. Its narrative focuses on lighthearted comedic situations and personal relationships, and does not engage in critical portrayals of traditional identities or incorporate explicit DEI themes.
The film features a character with a past as a drag queen, which is treated as a shameful secret and a primary source of comedic embarrassment. The humor largely stems from the character's desperate attempts to hide this identity and the awkwardness of its potential reveal, framing drag as a source of ridicule rather than dignity or acceptance.
The movie does not contain any action or adventure elements.
Natale a New York is an original Italian comedy film from 2006. It does not adapt pre-existing source material, historical figures, or legacy characters from prior installments. All characters are new creations for this specific film, thus precluding any gender swaps.
Natale a New York is an original Italian comedy film with no prior source material, historical figures, or established legacy characters. All characters were created for this specific film, thus precluding any race swaps.
Combines user and critic ratings from four sources