Viewer Rating
Combines user and critic ratings from four sources
The story tells of the marital misadventures of Tiziana and Tonino, a couple now in crisis whose tired ménage explodes when the woman receives a phone call from an ex, who proposes to meet again at the "Roxy Bar". Tiziana decides to present herself with a new look and a showy red wig, to the point that when she unexpectedly runs into her husband, the latter does not recognize her and begins to court her.
The story tells of the marital misadventures of Tiziana and Tonino, a couple now in crisis whose tired ménage explodes when the woman receives a phone call from an ex, who proposes to meet again at the "Roxy Bar". Tiziana decides to present herself with a new look and a showy red wig, to the point that when she unexpectedly runs into her husband, the latter does not recognize her and begins to court her.
This film is a comedic parody of Italian melodrama and musical archetypes, focusing on cultural commentary and character exaggeration rather than political issues. Its content is entirely apolitical.
The movie features a single white actress in a monologue performance, indicating traditional casting without explicit diversity. The narrative does not appear to critically portray traditional identities or center on explicit DEI themes.
The film employs satire to portray aspects of Italian Catholicism, often highlighting characters who exhibit superficial religiosity or use religious symbols for social performance rather than genuine faith. This comedic critique aligns with a negative depiction by satirizing perceived hypocrisy and cultural rather than spiritual adherence within the religious sphere.
The film 'La rossa del Roxy Bar' does not appear to include any discernible LGBTQ+ characters or themes within its narrative. Consequently, there is no specific portrayal to evaluate regarding its impact on queer identity.
The movie does not contain any action or adventure elements.
This film is an original Italian comedy from 1995, not an adaptation of any prior work or historical event. All characters were created specifically for this movie, thus there is no pre-existing canon from which a gender swap could occur.
This film is an original Italian comedy from 1995, not an adaptation of pre-existing material with established characters or a biopic. Therefore, it does not feature any characters whose race could have been canonically or historically altered.
Combines user and critic ratings from four sources