After the Second Impact, Tokyo-3 is being attacked by giant monsters called Angels that seek to eradicate humankind. The child Shinji’s objective is to fight the Angels by piloting one of the mysterious Evangelion mecha units. A remake of the first six episodes of GAINAX’s famous 1996 anime series. The film was retitled “Evangelion: 1.01” for its DVD release and “Evangelion: 1.11” for a release with additional scenes.
After the Second Impact, Tokyo-3 is being attacked by giant monsters called Angels that seek to eradicate humankind. The child Shinji’s objective is to fight the Angels by piloting one of the mysterious Evangelion mecha units. A remake of the first six episodes of GAINAX’s famous 1996 anime series. The film was retitled “Evangelion: 1.01” for its DVD release and “Evangelion: 1.11” for a release with additional scenes.
The film primarily explores apolitical themes of existential threat, psychological trauma, and the human condition, presenting a nuanced view of duty and sacrifice without explicitly endorsing a specific political ideology.
The film naturally features a diverse cast reflecting its Japanese origin, without explicit race or gender swaps of traditionally white roles. Its narrative focuses on character psychology and existential themes, rather than offering explicit critiques of traditional identities or promoting DEI themes as central to its plot.
The film extensively appropriates Christian iconography and terminology (e.g., Angels, Lilith, Adam, Lance of Longinus) as foundational elements for its destructive sci-fi narrative. These symbols are consistently associated with the alien 'Angels' and the manipulative, apocalyptic agenda of the organization SEELE, without any depiction of Christianity as a living faith or any positive counter-portrayal.
The film utilizes the 'Dead Sea Scrolls,' a key text from Jewish tradition, as a central plot device containing prophecies that guide the manipulative and destructive actions of the organization SEELE. This appropriation links Jewish texts to a catastrophic, human-orchestrated apocalypse, without depicting Judaism as a living faith or offering any positive counter-portrayal.
Evangelion: 1.0 You Are (Not) Alone does not feature any identifiable LGBTQ+ characters or themes. The film primarily focuses on Shinji Ikari's introduction to NERV, his initial struggles piloting an Evangelion, and battles against the Angels, without exploring queer identities or relationships within its narrative.
The film primarily features combat between giant mechs (Evangelions) piloted by humans and monstrous entities (Angels). Female characters like Rei Ayanami pilot these mechs, but do not engage in or win direct physical combat against male human opponents.
The film is a retelling of the original anime series, and all established characters who appear retain their canonical genders from the source material. No characters were portrayed with a different gender.
This anime film is a remake of an existing Japanese series. All major characters retain their established racial depictions from the original source material, with no instances of a character's race being changed.
Combines user and critic ratings from four sources