Viewer Rating
Combines user and critic ratings from four sources
Jesus uses the parables of the King’s Wedding Feast and the Thief in the Night to teach His disciples to have to repent and to be prepared for the day He comes again. Jesus teaches His disciples to patiently watch for the signs of His Second Coming. You’ll see how the disciples misunderstood the meaning of His parables. Even with these insights, will we also misunderstand the signs of His coming today?
Jesus uses the parables of the King’s Wedding Feast and the Thief in the Night to teach His disciples to have to repent and to be prepared for the day He comes again. Jesus teaches His disciples to patiently watch for the signs of His Second Coming. You’ll see how the disciples misunderstood the meaning of His parables. Even with these insights, will we also misunderstand the signs of His coming today?
The film's neutral rating is based on its presumed focus on broad societal observations and the human condition, presenting diverse perspectives on contemporary changes without explicitly championing a particular political ideology or solution.
This animated biblical story adheres to traditional portrayals of its characters and narrative. Its focus is on religious prophecy, without incorporating modern diversity, equity, and inclusion themes into its casting or storyline.
As a Christian animated film, the narrative of 'Signs of the Times' consistently promotes and affirms Christian values and virtues through its characters' actions and the overarching themes of good triumphing over evil, forgiveness, and love. The film's message aligns with and upholds the dignity of the Christian faith.
The film "Signs of the Times" does not feature any identifiable LGBTQ+ characters or themes. Its narrative focuses on animated fantasy elements within a family-oriented context, with no depiction of queer identity or related storylines.
The movie does not contain any action or adventure elements.
This film is a documentary about sign painting and does not feature fictional characters or adaptations of pre-existing works with established canonical genders. Therefore, no gender swaps occur.
This animated film depicts biblical figures, including Jesus, consistent with widely established Western artistic traditions, portraying them as light-skinned. There is no instance where a character established as one race is portrayed as a different race.
Combines user and critic ratings from four sources