Duped and sold to a brothel, a young woman fearlessly reclaims her power, using underworld connections to preside over the world she was once a pawn in.
Duped and sold to a brothel, a young woman fearlessly reclaims her power, using underworld connections to preside over the world she was once a pawn in.
The film explicitly promotes progressive ideology by centering on the advocacy for human rights and dignity of sex workers, challenging systemic societal oppression and stigma.
The film features an authentic cast reflecting its Indian setting. Its narrative strongly champions the rights of marginalized women and critiques patriarchal societal norms, portraying traditional oppressive structures negatively and advocating for dignity and equality.
The film portrays Razia Bai, a powerful transgender madam, with dignity and agency. Her identity is respectfully integrated into her character, presenting her as a formidable figure rather than a subject of ridicule or tragedy, thus offering a net positive depiction of an LGBTQ+ character.
The film depicts Hindu characters, including Gangubai, with dignity and sympathy, navigating societal challenges within a Hindu-majority cultural context. The narrative critiques societal patriarchy and injustice rather than the religion itself, without presenting Hinduism as inherently problematic.
The film portrays Rahim Lala, a prominent Muslim character, as a powerful, just, and protective figure for Gangubai and the women of Kamathipura. His depiction is entirely sympathetic and respectful, highlighting his moral code and support without associating his faith with negative attributes.
The movie does not contain any action or adventure elements.
The film is a biopic based on a real historical figure, Gangubai Harjivandas, who was female and is portrayed as such. All other significant characters maintain their historically or source-material established genders, including Razia Bai, who is consistently portrayed as a transgender woman.
The film is a biopic about Gangubai Kothewali, a real historical figure from India. The character and other major roles are portrayed by actors of the same race as their historical or canonical counterparts, with no racial changes.
Combines user and critic ratings from four sources