Viewer Rating
Combines user and critic ratings from four sources
Hiroshi and Misae have never been to a honeymoon trip to a foreign country. One day, Misae discovered an inexpensive and family-friendly holiday package to Australia and the Nohara family decided to make it their first honeymoon vacation. Hiroshi gets kidnapped upon arrival to Australia, leaving Shinnosuke, Misae and others on a dangerous journey. It turns out that Hiroshi is the key to a secret treasure. The remaining members of the Nohara Family must rescue Hiroshi, while a mysterious masked man and treasure hunters from all over the world are after him. The struggle is among three different groups in this action-filled treasure hunting adventure.
Hiroshi and Misae have never been to a honeymoon trip to a foreign country. One day, Misae discovered an inexpensive and family-friendly holiday package to Australia and the Nohara family decided to make it their first honeymoon vacation. Hiroshi gets kidnapped upon arrival to Australia, leaving Shinnosuke, Misae and others on a dangerous journey. It turns out that Hiroshi is the key to a secret treasure. The remaining members of the Nohara Family must rescue Hiroshi, while a mysterious masked man and treasure hunters from all over the world are after him. The struggle is among three different groups in this action-filled treasure hunting adventure.
The film's central narrative focuses on a family's adventure to rescue their kidnapped father, emphasizing universal themes of family unity, love, and resilience without promoting any specific political ideology or societal critique.
The film, originating from a Japanese franchise, features its established Japanese main cast. While the setting in Australia introduces a variety of characters, this diversity is organic to the plot rather than a result of explicit DEI-driven casting. The narrative maintains a neutral or positive portrayal of traditional identities, focusing on family adventure without incorporating explicit DEI critiques.
The film features Misae Nohara, who, while not a martial artist, frequently uses her physical strength and unwavering determination to defeat multiple male opponents in close-quarters physical confrontations during her quest to rescue her husband.
The film 'Crayon Shin-chan: Honeymoon Hurricane ~The Lost Hiroshi~' does not feature any identifiable LGBTQ+ characters or themes. Consequently, there is no portrayal to evaluate regarding positive, negative, or neutral impacts on LGBTQ+ representation.
This film is part of the long-running Crayon Shin-chan franchise. All established, named characters, including the core Nohara family, maintain their canonical genders as portrayed in previous installments and source material. No character originally established as one gender is depicted as a different gender in this movie.
This film is an original story within the established Crayon Shin-chan franchise. The core characters, who are canonically Japanese, are depicted as such. New characters introduced for the film's plot are not considered race swaps per the definition.
Combines user and critic ratings from four sources