When a couple of lazy hunter-gatherers are banished from their primitive village, they set off on an epic journey through the ancient world.
When a couple of lazy hunter-gatherers are banished from their primitive village, they set off on an epic journey through the ancient world.
The film's left-leaning bias stems from its satirical critique of religious dogma, arbitrary power structures, and unquestioning adherence to tradition, subtly advocating for individual questioning and common sense over oppressive systems.
The film 'Year One' features a predominantly white main cast, consistent with traditional casting practices for its ancient setting, without explicit DEI-driven recasting. Its comedic narrative does not engage in critical portrayals of traditional identities or incorporate explicit DEI themes as central elements.
The film satirizes foundational biblical narratives and figures, portraying them as absurd, bumbling, or hypocritical. Practices like human sacrifice (Isaac) are presented comically, undermining the dignity of the faith's early stories.
The film satirizes foundational biblical narratives and figures, particularly Abraham and Isaac, portraying them as absurd, bumbling, or hypocritical. Practices like circumcision and the concept of 'God's chosen people' are presented comically, undermining the dignity of the faith's origins.
The film 'Year One' does not feature any identifiable LGBTQ+ characters or themes. Consequently, there is no portrayal to evaluate within the scope of this framework, resulting in an N/A rating.
The movie does not contain any action or adventure elements.
The film "Year One" introduces original characters and portrays established biblical figures (e.g., Cain, Abel, Abraham, Isaac) with their historically and canonically recognized genders. No significant character established as one gender in source material or history is depicted as a different gender.
Year One is an original comedy film that does not adapt pre-existing characters with established racial identities from source material, previous installments, or real-world history. All characters are either original creations or new comedic interpretations, thus no race swaps occur.
Combines user and critic ratings from four sources