A group of sorority pledges are stalked by a stranger during their Christmas break. That is until the young women discover that the killer is part of an underground campus conspiracy.
A group of sorority pledges are stalked by a stranger during their Christmas break. That is until the young women discover that the killer is part of an underground campus conspiracy.
The film's central thesis explicitly promotes progressive ideology by critiquing systemic misogyny and toxic masculinity within a university setting, championing female solidarity and violent resistance against patriarchal oppression.
This movie demonstrates significant DEI through its intentional casting of a diverse group of female protagonists. The narrative is explicitly centered on a strong critique of traditional male identities, portraying them negatively as the primary antagonists, and highlighting themes of female empowerment against patriarchal oppression.
Black Christmas (2019) does not feature any identifiable LGBTQ+ characters or themes. The narrative centers on a group of sorority sisters confronting a misogynistic fraternity, focusing on themes of female empowerment and survival against patriarchal violence.
The movie does not contain any action or adventure elements.
The 2019 film is a reimagining that introduces new characters and a different plot, rather than directly recasting established characters from the 1974 original with a different gender. The primary antagonists remain male, and the protagonists are new female characters.
The 2019 film is a reimagining that introduces new characters rather than directly recasting specific legacy characters from the 1974 original. The diverse cast portrays new original characters, not race-swapped versions of previously established roles.
Combines user and critic ratings from four sources