Viewer Rating
Combines user and critic ratings from four sources
Dona Hermínia will have to rediscover and reinvent herself because her children are forming new families. This supermom will have to deal with a new life scenario: Marcelina is pregnant and Juliano is getting married.
Dona Hermínia will have to rediscover and reinvent herself because her children are forming new families. This supermom will have to deal with a new life scenario: Marcelina is pregnant and Juliano is getting married.
The film's narrative arc champions acceptance of diverse family structures and individual life choices, such as same-sex marriage and single motherhood, through a mother's personal journey of adaptation and love, aligning with progressive social values.
The movie features a cast that naturally reflects the diverse demographics of its Brazilian setting, including a male actor in a comedic female lead role, without explicit DEI-driven recasting. Its narrative maintains a neutral or positive framing of traditional identities, focusing on family comedy rather than critical social commentary.
The film features Marcelina, a central LGBTQ+ character, whose lesbian identity and relationship are depicted with dignity and agency. The narrative focuses on her mother's process of acceptance, ultimately affirming queer love and family support in a positive light.
The film portrays Christianity, specifically Catholicism, as a deeply ingrained and respected aspect of the protagonist Dona Hermínia's identity and Brazilian culture. While her traditional values and religious practices may sometimes be a source of comedic situations, the narrative consistently frames her faith as genuine, a source of comfort, and a foundation for her moral compass, without critiquing the religion itself.
The movie does not contain any action or adventure elements.
The central character, Dona Hermínia, has always been established and portrayed as female since her inception in the source material. The film maintains this canonical gender, therefore no gender swap occurs.
The film is a sequel where the main character, Dona Hermínia, continues to be portrayed by the same actor, Paulo Gustavo, as a white woman, consistent with previous installments and the character's origin. There are no indications of established characters having their race changed.
Combines user and critic ratings from four sources