Alice and Jack are lucky to be living in the idealized community of Victory, the experimental company town housing the men who work for the top-secret Victory Project and their families. But when cracks in their idyllic life begin to appear, exposing flashes of something much more sinister lurking beneath the attractive façade, Alice can’t help questioning exactly what they’re doing in Victory, and why.
Alice and Jack are lucky to be living in the idealized community of Victory, the experimental company town housing the men who work for the top-secret Victory Project and their families. But when cracks in their idyllic life begin to appear, exposing flashes of something much more sinister lurking beneath the attractive façade, Alice can’t help questioning exactly what they’re doing in Victory, and why.
The film's central thesis explicitly promotes progressive ideology by depicting a woman's awakening and rebellion against a patriarchal system designed to subjugate women and strip them of their autonomy, making it a clear critique of traditional power structures.
The film features visible diversity within its cast, though it does not engage in explicit race or gender swaps of traditionally white roles. Its narrative, however, strongly critiques traditional patriarchal structures and male dominance, portraying male characters as central to a system of female oppression.
Don't Worry Darling does not feature any identifiable LGBTQ+ characters or themes. The narrative centers on heterosexual relationships and patriarchal control within a simulated environment, leading to a 'N/A' rating for LGBTQ+ portrayal.
The movie does not contain any action or adventure elements.
Don't Worry Darling is an original film with characters created specifically for its narrative. There are no pre-existing source materials, historical figures, or legacy characters from prior installments for any character to have been established as a different gender.
Don't Worry Darling is an original film with characters created specifically for this production. There is no prior source material, historical basis, or previous installments from which characters' races could have been established and subsequently changed.
Combines user and critic ratings from four sources