Viewer Rating
Combines user and critic ratings from four sources
16-year old Steffi just graduated from high school and is very much looking forward to her class trip to Paris where she has promised her boyfriend Fabian the romantic night that she has kept him waiting for so long. Her lifelong plan to join the police forces is already set up, her adult life is right around the corner. At a routine health check-up, just before the trip to Paris, Steffi and her parents are faced with a shattering diagnosis ...
16-year old Steffi just graduated from high school and is very much looking forward to her class trip to Paris where she has promised her boyfriend Fabian the romantic night that she has kept him waiting for so long. Her lifelong plan to join the police forces is already set up, her adult life is right around the corner. At a routine health check-up, just before the trip to Paris, Steffi and her parents are faced with a shattering diagnosis ...
The film explores universal themes of mortality, personal choice, and family relationships, offering a humanistic perspective on living life to the fullest without advocating for specific political ideologies or critiquing societal structures from a partisan viewpoint.
Due to the absence of specific details regarding the movie's casting, character diversity, or narrative themes, a definitive DEI evaluation cannot be performed. Based on a neutral assumption for both representation and narrative, the movie is assessed as having light DEI present.
The film features Fabian, a gay man, as a central supporting character. His identity is portrayed with dignity and complexity, integrated naturally into the narrative without being sensationalized or stereotyped. The film maintains a respectful and empathetic stance towards his character and his personal struggles, contributing to a net positive portrayal.
The film explores themes of faith and doubt through its characters, particularly a devout Catholic young man and a protagonist grappling with a terminal illness. While the protagonist initially expresses anger towards God, the narrative ultimately portrays faith, specifically Catholicism, as a source of strength, comfort, and a framework for finding meaning in suffering, without ridiculing its adherents or practices.
The movie does not contain any action or adventure elements.
The film "God, You're Such a Prick" is an adaptation of an autobiographical novel. There is no indication that any character, originally established as a specific gender in the source material or real-life basis, had their gender changed for the film adaptation.
The film is based on a true story and book about a German teenager. The main character, Steffi Pape, a white individual, is portrayed by a white actress, Sinje Irslinger. There is no evidence of any established character's race being changed.
Combines user and critic ratings from four sources