Leans Traditional
8.1
Another Round
(2020)
Political: Center
Diversity: Low
The Cossack Duke (1911)
Bias Rating
Analyzing...
Leans Traditional
Viewer Rating
Not Rated
Overview
INCOMPLETE | Anna, the beautiful daughter of a general, and the young lieutenant Cernieff are in love. However, the general refuses to give his only daughter to a man without fortune. Heartbroken, Anna confides in the duchess, who agrees to deliver a letter to Cernieff. The duke sees this, and when he intercepts the unsigned love declaration, he mistakenly believes that his wife is having an affair with the young lieutenant. Cernieff is thrown into a dungeon and sentenced to death. The beginning of the film is missing. The first scene of the preserved fragment is the one in which Anna confides in the duchess. (Stumfilm.dk)
Starring Cast
Bias Dimensions
Political: Center
Diversity: Low
Christianity: Positive
Overview
INCOMPLETE | Anna, the beautiful daughter of a general, and the young lieutenant Cernieff are in love. However, the general refuses to give his only daughter to a man without fortune. Heartbroken, Anna confides in the duchess, who agrees to deliver a letter to Cernieff. The duke sees this, and when he intercepts the unsigned love declaration, he mistakenly believes that his wife is having an affair with the young lieutenant. Cernieff is thrown into a dungeon and sentenced to death. The beginning of the film is missing. The first scene of the preserved fragment is the one in which Anna confides in the duchess. (Stumfilm.dk)
Starring Cast
Detailed Bias Analysis
Analyzing...
Leans Traditional
Primary
Due to the complete absence of information regarding the film's plot, characters, and thematic content, an objective assessment of political bias is not possible. The rating reflects this lack of discernible ideological messaging.
Based solely on the title 'The Cossack Duke,' the movie is presumed to feature traditional casting aligned with its historical and cultural context. The narrative is also assumed to maintain a neutral or positive framing of traditional identities, without explicit critique or central DEI themes, due to the lack of specific plot details.
Secondary
The film likely portrays Orthodox Christianity as integral to the Cossack identity, bravery, and cultural values, aligning the narrative with the dignity and virtues of their faith. This reflects a common affirmation of the dominant religion in early nationalistic cinema.
No information regarding LGBTQ+ characters or themes was provided for the film 'The Cossack Duke'. Therefore, an evaluation of its portrayal is not possible, and it is categorized as N/A.
The movie does not contain any action or adventure elements.
Information regarding the plot, characters, and source material for the 1911 film "The Cossack Duke" is extremely limited or unavailable. Without established canonical or historical character genders to compare against, it is not possible to identify any instances of gender swapping.
Due to the film's age (1911) and the lack of readily available detailed information regarding its specific characters and their pre-existing canonical or historically established racial identities, it is not possible to determine if a race swap occurred.
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