Leans Traditional
7.0
Right to Choose
(1984)
Political: Center
Diversity: Low
In the Clutches of the Soviets (1926)
Bias Rating
Analyzing...
Traditional
Viewer Rating
Not Rated
Overview
Day in and day out, factory worker Wolfer enjoys his luxurious life. But one day he wakes up after another night of drinking and is horrified to learn that the October Revolution has taken place. It took away the manufacturer's luxurious life. Wolfer's mansion, jewelry, and excess clothes were requisitioned. In the end, the manufacturer has to sweep the streets. He flees to Paris, where he finds a job in a circus with great difficulty.
Starring Cast
Bias Dimensions
Political: Strong Right
Diversity: Low
Christianity: Negative
Overview
Day in and day out, factory worker Wolfer enjoys his luxurious life. But one day he wakes up after another night of drinking and is horrified to learn that the October Revolution has taken place. It took away the manufacturer's luxurious life. Wolfer's mansion, jewelry, and excess clothes were requisitioned. In the end, the manufacturer has to sweep the streets. He flees to Paris, where he finds a job in a circus with great difficulty.
Starring Cast
Detailed Bias Analysis
Analyzing...
Traditional
Primary
The film's central thesis explicitly condemns the Soviet system, promoting anti-communist and individual liberty values, which aligns with a clearly right-wing perspective.
This film, originating from the Soviet era, features traditional casting and character representation consistent with its historical context. Its narrative frames traditional identities neutrally or positively, without incorporating modern DEI critiques or themes.
Secondary
The film, a Soviet propaganda piece, portrays Christianity (specifically Russian Orthodoxy) as a superstitious, oppressive force that exploits the populace and hinders societal progress. Clergy are depicted as hypocritical and aligned with outdated, harmful ideologies.
The film 'In the Clutches of the Soviets' does not present any identifiable LGBTQ+ characters or themes. Consequently, an evaluation of its portrayal of LGBTQ+ elements is not applicable.
The movie does not contain any action or adventure elements.
This 1926 silent film is an original production, not an adaptation of a prior work with established characters or a biopic of a historical figure whose gender was altered. Therefore, it does not contain any instances of a gender swap.
Without information on specific characters, their canonical or historical racial depictions, or any source material for this 1926 film, it is impossible to identify any instance of a race swap.
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