Soren (Jim Sturgess), a young barn owl, is kidnapped by owls of St. Aggie's, ostensibly an orphanage, where owlets are brainwashed into becoming soldiers. He and his new friends escape to the island of Ga'Hoole, to assis...
Soren (Jim Sturgess), a young barn owl, is kidnapped by owls of St. Aggie's, ostensibly an orphanage, where owlets are brainwashed into becoming soldiers. He and his new friends escape to the island of Ga'Hoole, to assis...
The film leans right due to its championing of traditional virtues, duty, and the defense of an established, benevolent order against a destructive, revolutionary tyrannical force. The solution emphasizes individual heroism, adherence to a noble code, and the restoration of a threatened good.
This animated film features a cast of non-human owl characters, making traditional human-centric DEI evaluations less applicable. The narrative presents a classic fantasy adventure of good versus evil without engaging with or critiquing human social identities or DEI themes.
Legend of the Guardians: The Owls of Ga'Hoole does not include any explicit or implicit LGBTQ+ characters or themes. The narrative focuses on a traditional fantasy adventure without engaging with aspects of sexual orientation or gender identity, resulting in no portrayal to evaluate.
The film features several female owl characters, including the antagonist Nyra, who is a formidable warrior. However, no scenes depict a female character achieving a clear victory in close-quarters physical combat against one or more male opponents.
The film adapts the "Guardians of Ga'Hoole" book series. All major and supporting characters maintain their established genders from the source material in the on-screen portrayal.
The film features animated owl characters. As animals, the concept of human race does not apply to them, and thus, a "race swap" as defined cannot occur.
Combines user and critic ratings from four sources