A celebrated military contractor returns to the site of his greatest career triumphs and re-connects with a long-ago love while unexpectedly falling for the hard-charging Air Force watchdog assigned to him.
A celebrated military contractor returns to the site of his greatest career triumphs and re-connects with a long-ago love while unexpectedly falling for the hard-charging Air Force watchdog assigned to him.
The film leans left due to its central critique of corporate exploitation and its strong emphasis on Hawaiian sovereignty and environmental protection, aligning with progressive values despite a largely individualistic resolution to its conflicts.
The movie's casting primarily features traditional representation without explicit DEI-driven recasting of roles. The narrative frames traditional identities neutrally or positively, and DEI themes are not central to the story.
Aloha does not feature any identifiable LGBTQ+ characters or themes. The story centers on heterosexual romantic relationships and other plot elements, resulting in no direct portrayal of queer identity.
The movie does not contain any action or adventure elements.
Aloha is an original film with characters created specifically for this story. There are no pre-existing canonical or historical characters whose gender could have been altered for this adaptation.
The film 'Aloha' features original characters created for the movie. While the casting of Emma Stone as Allison Ng, a character written as one-quarter Hawaiian and one-quarter Chinese, was controversial for 'whitewashing,' it does not meet the definition of a 'race swap' as the character had no prior canonical or historical race established before this film.
Combines user and critic ratings from four sources