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While Nobita is sleeping, he suddenly feels the floor is trembling, like there would be an earthquake in his room. A little rabbit from an alternate universe named Chamii opens the door between the dimensions using a hammer and gets inside Nobita's room through the floor. Nobita wakes up and Doraemon hears somebody steal food from the fridge in the kitchen. It is Chamii, who gets caught by Doraemon and Nobita. She shows them the passageway through Nobita's floor into the spaceship. After they enter the spaceship, they see Koya Koya Planet. They meet a boy named Roppuru.
While Nobita is sleeping, he suddenly feels the floor is trembling, like there would be an earthquake in his room. A little rabbit from an alternate universe named Chamii opens the door between the dimensions using a hammer and gets inside Nobita's room through the floor. Nobita wakes up and Doraemon hears somebody steal food from the fridge in the kitchen. It is Chamii, who gets caught by Doraemon and Nobita. She shows them the passageway through Nobita's floor into the spaceship. After they enter the spaceship, they see Koya Koya Planet. They meet a boy named Roppuru.
The film's central conflict and resolution strongly critique imperialistic aggression and authoritarianism, championing the right to self-determination and the liberation of an oppressed people, which aligns with progressive values.
The film features traditional casting consistent with its Japanese anime origins, without any explicit race or gender swaps of established roles. Its narrative focuses on universal themes of friendship and adventure, and does not include any critical portrayal of traditional identities or explicit DEI-driven critiques.
This Doraemon film, consistent with the franchise's typical content, does not include any discernible LGBTQ+ characters or themes. The narrative focuses on sci-fi adventure and friendship, with no elements related to queer identity.
The film features female characters like Shizuka Minamoto and Princess Clem, who are involved in the adventure. However, there are no scenes depicting a female character defeating one or more male opponents in direct physical combat using skill, strength, or martial arts.
The film is a remake within the established Doraemon franchise. All major and supporting characters, including Doraemon, Nobita, Shizuka, Gian, Suneo, and the alien Papi, maintain their canonically established genders from the original manga and previous adaptations. No character's gender was altered.
The film is an animated Japanese production based on a long-running Japanese manga. All established human characters maintain their original race, and new characters are depicted as aliens, not human races. Therefore, no race swaps occur.
Combines user and critic ratings from four sources