In Baton Rouge, Louisiana, the evangelical Reverend Cotton Marcus was raised by his father to be a preacher. He agrees that the filmmaker Iris Reisen and the cameraman Daniel Moskowitz make a documentary about his life. ...
In Baton Rouge, Louisiana, the evangelical Reverend Cotton Marcus was raised by his father to be a preacher. He agrees that the filmmaker Iris Reisen and the cameraman Daniel Moskowitz make a documentary about his life. ...
The film maintains a neutral stance by exploring the conflict between religious faith and skepticism, ultimately presenting a terrifying, apolitical triumph of evil that critiques both the misuse of faith and the limitations of a purely rational approach without championing a specific political ideology.
The film features a predominantly white main cast, though it includes a Black supporting character, offering some visible diversity without explicit recasting of traditional roles. Its narrative explores themes of faith and rural life without explicitly critiquing traditional identities or centering on DEI themes.
The film "The Last Exorcism" does not feature any identifiable LGBTQ+ characters or themes. The narrative focuses exclusively on religious fundamentalism, demonic possession, and the psychological aspects of faith and doubt within a rural family setting, with no relevant depictions.
The movie does not contain any action or adventure elements.
The Last Exorcism is an original film with characters created specifically for this production. There are no pre-existing characters from source material, prior installments, or history whose gender could have been altered.
The Last Exorcism is an original film with characters created specifically for its narrative. There is no prior source material, historical figures, or established canon from which character races could have been altered.
Combines user and critic ratings from four sources