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Devastated after her mom's serious accident and grief-stricken because she hasn't become the daughter she wanted to be for her mother, Jia Xiaoling finds herself transported back in time to the year 1981, where she meets her young mother before she was her mom.
Devastated after her mom's serious accident and grief-stricken because she hasn't become the daughter she wanted to be for her mother, Jia Xiaoling finds herself transported back in time to the year 1981, where she meets her young mother before she was her mom.
The film's central focus on the universal themes of unconditional family love, personal regret, and the appreciation of a mother's sacrifices transcends specific political ideologies, making it a neutral narrative.
This Chinese production, a heartfelt family drama, features a cast that is culturally appropriate for its setting, reflecting diversity within its own context without engaging in explicit DEI-driven recasting of roles typically associated with Western identities. The narrative focuses on personal relationships and family themes, neither critiquing nor explicitly promoting traditional identities or specific DEI agendas.
The film "Hi, Mom" does not feature any identifiable LGBTQ+ characters or themes. Its narrative focuses exclusively on a mother-daughter relationship and the mother's youth, with no elements related to queer identity or experiences present in the storyline.
The movie does not contain any action or adventure elements.
The film "Hi, Mom" is an original story, not an adaptation of pre-existing source material or a depiction of widely established historical figures. All characters are new creations for this specific film, meaning there is no prior canon against which a gender swap could be assessed.
The film "Hi, Mom" is an original story based on the director's personal experiences and a previous sketch. It does not adapt characters from prior source material, historical records, or earlier installments where their race was canonically established and then changed.
Combines user and critic ratings from four sources