Viewer Rating
Combines user and critic ratings from four sources
Peace and tranquility have set in Belogorie. The evil was defeated and Ivan is now enjoying his well-deserved fame. He is surrounded by his family, friends and small wonders from the modern world that help him lead a com...
Peace and tranquility have set in Belogorie. The evil was defeated and Ivan is now enjoying his well-deserved fame. He is surrounded by his family, friends and small wonders from the modern world that help him lead a com...
The film's central conflict and its resolution are rooted in classic fantasy tropes of good versus evil, destiny, and personal heroism, rather than engaging with specific political ideologies. It focuses on apolitical themes of courage, friendship, and the defense of a magical world from a non-ideological corruption.
This movie adheres to traditional casting practices, featuring actors predominantly of Russian descent in roles derived from Slavic folklore. Its narrative is a straightforward fantasy adventure that does not critically portray traditional identities or incorporate explicit DEI themes.
The film 'The Last Warrior: Root of Evil' does not feature any identifiable LGBTQ+ characters or themes. Consequently, there is no portrayal to evaluate, leading to a net impact rating of N/A.
The film features powerful female characters like Vasilisa and Baba Yaga, but their combat victories are primarily achieved through magical abilities. There are no clear instances where a female character defeats one or more male opponents in direct physical combat using skill, strength, or martial arts.
The film features characters from Russian folklore and the preceding installment. All major characters, such as Ivan, Vasilisa, Baba Yaga, Koschei, and the bogatyrs, retain their canonically established genders from source material and previous portrayals.
This film is an adaptation of Russian folklore. All major characters, based on established figures from Slavic mythology, are portrayed by actors whose race aligns with their traditional depictions. No instances of a character canonically established as one race being portrayed as another were found.
Combines user and critic ratings from four sources