200 years after his shocking creation, Dr. Frankenstein's creature, Adam, still walks the earth. But when he finds himself in the middle of a war over the fate of humanity, Adam discovers he holds the key that could destroy humankind.
200 years after his shocking creation, Dr. Frankenstein's creature, Adam, still walks the earth. But when he finds himself in the middle of a war over the fate of humanity, Adam discovers he holds the key that could destroy humankind.
The film's primary focus on a mythological good vs. evil conflict and an outcast's journey to find purpose and acceptance results in a neutral rating, as it avoids explicit political messaging in favor of universal moral and existential themes.
The movie features a predominantly white cast without any intentional race or gender swaps of traditionally white roles. Its narrative centers on a supernatural conflict, offering no critical portrayal of traditional identities or explicit DEI themes, maintaining a neutral to positive framing of such identities.
The film features Leonore, a gargoyle warrior, who consistently defeats male demon opponents in direct physical combat using a staff and her enhanced physical abilities. Her victories are achieved through skill and strength in melee engagements.
The film explicitly portrays a cosmic battle between 'God's creations' (gargoyles) and 'demons' (agents of hell). The gargoyles are depicted as righteous, noble protectors fighting for humanity and heaven, while demons are unambiguously evil. This narrative aligns with and affirms traditional Christian concepts of divine good and infernal evil.
I, Frankenstein does not feature any identifiable LGBTQ+ characters or themes. The narrative is solely focused on a gothic fantasy conflict between supernatural factions, with no elements related to queer identity or experiences.
The film features original characters and adaptations of existing ones (like Frankenstein's Monster) whose genders align with their established canon. No character originally established as one gender is portrayed as a different gender in this adaptation.
The film adapts Mary Shelley's Frankenstein, but the Monster's 'race' was never canonically established in a way that would constitute a race swap. Other key characters are original to this adaptation or the graphic novel, lacking prior racial definitions.
Combines user and critic ratings from four sources