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Combines user and critic ratings from four sources
A priest, after spending years in humanitary missions in Africa, reunites with his family, which is in worse conditions than when he left, and above all meets a young lady who will make him doubt both himself and his faith.
A priest, after spending years in humanitary missions in Africa, reunites with his family, which is in worse conditions than when he left, and above all meets a young lady who will make him doubt both himself and his faith.
The film explores universal themes of family dysfunction and personal disillusionment, advocating for solutions rooted in individual introspection and genuine human connection rather than promoting a specific political ideology.
The movie features a traditional Italian cast without explicit race or gender swaps of roles. Its narrative focuses on family dynamics and personal challenges, presenting traditional identities in a neutral to positive light without central DEI themes or critiques.
The film portrays a sincere spiritual journey and features a nun (Lara) as a deeply compassionate and dedicated figure. While exploring personal doubts and institutional aspects, the narrative ultimately affirms the virtues and positive impact of faith as a source of meaning and selfless action.
The film "Me, Them and Lara" does not feature any identifiable LGBTQ+ characters or themes. The narrative focuses on a priest's return to his dysfunctional family and his interactions with a young woman, without incorporating any elements related to queer identity or experiences.
The movie does not contain any action or adventure elements.
This film is an original production and does not adapt characters from prior source material, historical records, or previous installments. Therefore, no characters exist who were established as one gender and then portrayed as another.
This film is an original Italian comedy from 2010, not an adaptation of pre-existing material, a reboot, or a biopic. All characters were created for this specific film, meaning there are no established canonical or historical racial portrayals to be altered.
Combines user and critic ratings from four sources