MovieBias
See all results for ""
BrowseAnalyticsAbout

The Holdovers (2023)

Bias Rating
Analyzing...
Leans Progressive
Viewer Rating
Rating: 8.4
The Holdovers poster

Overview

A curmudgeonly instructor at a New England prep school is forced to remain on campus during Christmas break to babysit the handful of students with nowhere to go. Eventually, he forms an unlikely bond with one of them — a damaged, brainy troublemaker — and with the school’s head cook, who has just lost a son in Vietnam.


Starring Cast


Where to watch

Apple TV logoApple TV
Google Play logoGoogle Play
Fandango
Powered by
JustWatch

Bias Dimensions


Political: Leans Left
Diversity: Moderate

LGBTQ: Neutral
Christianity: Positive

Overview

A curmudgeonly instructor at a New England prep school is forced to remain on campus during Christmas break to babysit the handful of students with nowhere to go. Eventually, he forms an unlikely bond with one of them — a damaged, brainy troublemaker — and with the school’s head cook, who has just lost a son in Vietnam.


Starring Cast


Where to watch

Apple TV logoApple TV
Google Play logoGoogle Play
Fandango
Powered by
JustWatch

Detailed Bias Analysis

Analyzing...
Leans Progressive

Primary

The film leans left due to its central engagement with the human cost of the Vietnam War and its empathetic portrayal of characters marginalized by the era's social and political landscape, aligning with progressive values of anti-war sentiment and social justice through human connection.

The film features visible diversity through characters like a Korean international student and a range of body types, with these characters developed beyond stereotypes. The narrative emphasizes universal themes of human warmth, understanding, and connection across differences, rather than explicitly critiquing traditional identities.

Secondary

The Holdovers subtly explores themes of intimacy and vulnerability through Paul Hunham's ambiguous romantic life, hinting at potential asexuality or complex sexuality without explicit labeling. This nuanced approach contributes to his character's depth, neither strongly affirming nor denigrating LGBTQ+ identity, resulting in a neutral overall portrayal.

The film subtly portrays Christian values through its Christmas setting and themes of sacrifice, redemption, compassion, and forgiveness. It affirms the importance of loving one's neighbor and finding healing and support within family, reflecting core tenets of the faith.

The movie does not contain any action or adventure elements.

The Holdovers is an original film with new characters, not an adaptation, biopic, or reboot. Therefore, no characters were previously established in source material, history, or prior installments to undergo a gender swap.

The Holdovers is an original film with no pre-existing source material or historical figures whose race could have been altered. There is no indication of any character being race-swapped.


Viewer Rating Breakdown

8.4

Viewer Rating

Combines user and critic ratings from four sources

User Ratings

IMDB logo
7.9
The Movie Database logo
7.7

Critic Ratings

Rotten Tomatoes logo
9.7
Metacritic logo
8.2

More Like This

The Descendants poster
Leans Progressive
7.8
The Descendants
 (2011)

Political: Leans Left
Diversity: Moderate
Lady Bird poster
Leans Progressive
8.5
Lady Bird
 (2017)

Political: Center
Diversity: Moderate
LGBTQ: Positive
Boy Meets Girl poster
Leans Progressive
7.4
Boy Meets Girl
 (2014)

Political: Strong Left
Diversity: Low
LGBTQ: Positive
The Threesome poster
Leans Progressive
6.7
The Threesome
 (2025)

Political: Leans Left
Diversity: Moderate
LGBTQ: Positive
I Care a Lot poster
Leans Progressive
6.9
I Care a Lot
 (2021)

Political: Leans Left
Diversity: Moderate
LGBTQ: Positive
The Big Short poster
Leans Progressive
8.0
The Big Short
 (2015)

Political: Strong Left
Diversity: Low
Nimona poster
Progressive
8.0
Nimona
 (2023)

Political: Strong Left
Diversity: High
LGBTQ: Positive
Female Combat: Yes
Hustlers poster
Progressive
7.4
Hustlers
 (2019)

Political: Strong Left
Diversity: High
LGBTQ: Positive
Vice poster
Leans Progressive
6.7
Vice
 (2018)

Political: Strong Left
Diversity: Moderate
LGBTQ: Neutral
Love, Simon poster
Progressive
8.0
Love, Simon
 (2018)

Political: Leans Left
Diversity: High
LGBTQ: Positive
Soul poster
Leans Progressive
8.5
Soul
 (2020)

Political: Center
Diversity: High
Dope poster
Leans Progressive
7.6
Dope
 (2015)

Political: Leans Left
Diversity: Moderate
LGBTQ: Positive
Babylon poster
Progressive
6.6
Babylon
 (2022)

Political: Center
Diversity: High
LGBTQ: Positive
Transamerica poster
Progressive
7.2
Transamerica
 (2005)

Political: Leans Left
Diversity: High
LGBTQ: Positive
Tangerine poster
Progressive
8.1
Tangerine
 (2015)

Political: Leans Left
Diversity: High
LGBTQ: Positive
Love & Basketball poster
Leans Progressive
7.6
Love & Basketball
 (2000)

Political: Leans Left
Diversity: Moderate
A Man Called Otto poster
Leans Progressive
6.8
A Man Called Otto
 (2022)

Political: Center
Diversity: Moderate
LGBTQ: Positive
My Old Ass poster
Leans Progressive
7.6
My Old Ass
 (2024)

Political: Center
Diversity: Moderate
LGBTQ: Positive
Late Night poster
Progressive
7.0
Late Night
 (2019)

Political: Strong Left
Diversity: High
LGBTQ: Neutral
Chocolat poster
Leans Progressive
6.7
Chocolat
 (2000)

Political: Leans Left
Diversity: Moderate
MovieBias

Privacy PolicyTerms of ServiceCookies PolicyAI Policy

Copyright 2025 © moviebias.com