Set in contemporary New York City, a seemingly ordinary teenager, Clary Fray, discovers she is the descendant of a line of Shadowhunters, a secret cadre of young half-angel warriors locked in an ancient battle to protect...
Set in contemporary New York City, a seemingly ordinary teenager, Clary Fray, discovers she is the descendant of a line of Shadowhunters, a secret cadre of young half-angel warriors locked in an ancient battle to protect...
The film's central conflict strongly condemns a genocidal, purity-driven ideology, positioning its protagonists as champions of tolerance and coexistence against an authoritarian threat. While set within a traditional society, the core message against prejudice aligns with left-leaning values.
The movie features visible diversity, particularly with a prominent Asian and gay character whose portrayal is faithful to the source material. While it includes a significant LGBTQ+ storyline, the narrative does not explicitly critique traditional identities or center around an overt DEI message.
The film portrays Alec Lightwood's internal struggle with his sexuality empathetically, depicting him as a complex character. The introduction of Magnus Bane, an openly gay and powerful warlock, offers a positive representation and a path towards self-acceptance and an affirming relationship for Alec, contributing to a net positive impact.
The film features Isabelle Lightwood, a skilled Shadowhunter, who demonstrates proficiency in physical combat. She is shown to be victorious in close-quarters engagements against multiple male opponents, specifically during the raid on the Hotel Dumort.
The film adapts the novel 'City of Bones,' and all major characters, including Clary Fray, Jace Wayland, and Simon Lewis, retain their established genders from the source material. No character originally depicted as one gender is portrayed as another.
The film adapts characters from the novel series. All major characters, including Clary Fray, Jace Wayland, and Magnus Bane, were cast with actors whose race aligns with their established canonical or implied racial backgrounds in the source material. No character originally established as one race was portrayed as a different race.
Combines user and critic ratings from four sources