7.0
Viewer Rating
Combines user and critic ratings from four sources
No Vietnamese Ever Called Me Nigger (1968)
Bias Rating
Analyzing...
Progressive
Viewer Rating
Rating: 7.0
Overview
In defending his refusal to be conscripted into the Vietnam War, champion boxer Muhammed Ali defiantly declared: ‘No Vietcong ever called me a nigger, my enemies are white people, not the Vietcong.’ His rebuttal suggested the title of this documentary, which depicts an anti-Vietnam-War rally in New York in 1967.
Starring Cast
Bias Dimensions
Political: Strong Left
Diversity: High
Christianity: Positive
Islam: Positive
Overview
In defending his refusal to be conscripted into the Vietnam War, champion boxer Muhammed Ali defiantly declared: ‘No Vietcong ever called me a nigger, my enemies are white people, not the Vietcong.’ His rebuttal suggested the title of this documentary, which depicts an anti-Vietnam-War rally in New York in 1967.
Starring Cast
Detailed Bias Analysis
Analyzing...
Progressive
Primary
The film's central thesis explicitly promotes progressive ideology by critiquing systemic racism and the Vietnam War, highlighting the disproportionate impact on Black communities and advocating for social justice through protest and solidarity.
This film centers the experiences of Black American veterans protesting the Vietnam War, featuring a cast predominantly from this marginalized group. Its narrative explicitly critiques systemic racism and the societal structures that perpetuate it, highlighting the hypocrisy faced by Black soldiers.
Secondary
The film implicitly affirms the moral arguments rooted in Christian ethics, as used by Black activists and veterans to protest the Vietnam War and racial injustice. It portrays Christianity as a source of strength and moral grounding for the movement.
The film presents Islam, particularly within the context of Black nationalism, as an empowering and affirming force for Black Americans. It offers a counter-narrative to mainstream society, providing a source of identity, pride, and resistance against oppression.
This 1968 documentary, focusing on Black American veterans and activists protesting the Vietnam War, does not feature any identifiable LGBTQ+ characters or themes. The narrative centers on race, war, and social protest, without engaging with queer identity or experiences.
The movie does not contain any action or adventure elements.
This 1968 documentary features real people participating in a protest. As a documentary, it does not adapt fictional characters or reinterpret historical figures in a way that would allow for a gender swap as defined.
This film is a documentary featuring real individuals discussing their experiences, not fictional characters with established racial identities from source material or history. Therefore, the concept of a 'race swap' does not apply.
Viewer Rating Breakdown
User Ratings
7.6
6.5
Critic Ratings
N/A
N/A
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