Freddie, a volatile, heavy-drinking veteran who suffers from post-traumatic stress disorder, finds some semblance of a family when he stumbles onto the ship of Lancaster Dodd, the charismatic leader of a new "religion" he forms after World War II.
Freddie, a volatile, heavy-drinking veteran who suffers from post-traumatic stress disorder, finds some semblance of a family when he stumbles onto the ship of Lancaster Dodd, the charismatic leader of a new "religion" he forms after World War II.
The film primarily explores the psychological complexities of trauma, belief, and the search for belonging through a character study, rather than advocating for or critiquing specific political ideologies or societal structures. Its ambiguous portrayal of human nature and lack of a clear political solution positions it as neutral.
The film features a traditional cast without explicit diversity-driven recasting. Its narrative explores character psychology and cult dynamics, rather than focusing on critiques of traditional identities or explicit DEI themes.
The film 'The Master' primarily focuses on the complex relationship between a troubled WWII veteran and the charismatic leader of a philosophical movement. There are no explicit LGBTQ+ characters or themes depicted in the story, leading to a determination of N/A for LGBTQ+ portrayal.
The movie does not contain any action or adventure elements.
The Master is an original film with characters created specifically for this story. There is no prior source material, historical record, or established canon from which characters' genders could have been swapped.
The Master is an original film with characters created for the screenplay. There is no prior source material (like a book, comic, or historical record) establishing the race of its characters before this film's production. Therefore, no race swaps occurred.
Combines user and critic ratings from four sources