4.7
Viewer Rating
Combines user and critic ratings from four sources
Our Russia: Eggs of Destiny (2010)
Bias Rating
Analyzing...
Leans Traditional
Viewer Rating
Rating: 4.7
Overview
Rafshan and Dzhumzhud, migrant workers from Nubarashen, illegally come to Moscow, where the team leader Leonid received an order for super-expensive repairs from one oligarch. Having lost in the capital the “nationalist”, Rafshan and Dzhumzhud are trying to find and save him, wreaking havoc and destruction everywhere. But in the most hopeless situation, fate turns to guest workers - Rafshan and Dzhumzhud learn a terrible secret that will change everything ...
Starring Cast
Bias Dimensions
Political: Center
Diversity: Moderate
LGBTQ: Negative
Christianity: Negative
Islam: Positive
Overview
Rafshan and Dzhumzhud, migrant workers from Nubarashen, illegally come to Moscow, where the team leader Leonid received an order for super-expensive repairs from one oligarch. Having lost in the capital the “nationalist”, Rafshan and Dzhumzhud are trying to find and save him, wreaking havoc and destruction everywhere. But in the most hopeless situation, fate turns to guest workers - Rafshan and Dzhumzhud learn a terrible secret that will change everything ...
Starring Cast
Detailed Bias Analysis
Analyzing...
Leans Traditional
Primary
The film offers a broad satirical critique of societal problems while championing a solution of national unity and spirit, consciously balancing potential left-leaning critiques with a more centrist or traditionally-aligned emphasis on national cohesion.
The movie presents a diverse range of characters representing various social and ethnic groups within Russia, often through a satirical approach. Its narrative offers indirect critiques of traditional identities and societal norms as part of its broader comedic satire, rather than an explicit focus on DEI themes.
Secondary
The film "Our Russia: Eggs of Destiny" features Ivan Dulin, a gay character whose identity is consistently used for comedic mockery. His unrequited advances towards a straight colleague are a running gag, played for discomfort and relying on harmful stereotypes. The narrative offers no counterbalance or critique, positioning LGBTQ+ identity as a source of ridicule, leading to a net negative portrayal.
The film satirizes the superficiality and commercialization of religious relics and symbols within a nationalistic context, portraying the pursuit of the 'sacred eggs' as driven by greed, superstition, and misguided patriotism rather than genuine faith. The narrative critiques the problematic interaction with these symbols.
The film portrays its Central Asian migrant characters, whose cultural background is implicitly Muslim, with sympathy. While they face prejudice and exploitation, the narrative satirizes the xenophobia and corruption of Russian society, positioning the audience to condemn bigotry rather than the characters' faith or origin.
The movie does not contain any action or adventure elements.
The film is a spin-off of the 'Nasha Russia' TV show. All major characters maintain the same gender as established in the original series, and no historical figures are depicted with a different gender.
The film's characters, including those portraying specific ethnicities, were original creations for the 'Nasha Russia' universe. Their depicted race/ethnicity was established from their inception within this canon, not changed from a prior, different canonical or historical establishment.
Viewer Rating Breakdown
User Ratings
4.7
4.6
Critic Ratings
N/A
N/A
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