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The year is 50 B.C. Caesar is hungry for new conquests. At the head of his glorious legions he decides to invade the island that lies at the very edge of the known world, that mysterious land known as Britain. Victory is...
The year is 50 B.C. Caesar is hungry for new conquests. At the head of his glorious legions he decides to invade the island that lies at the very edge of the known world, that mysterious land known as Britain. Victory is...
The film balances themes of anti-imperialism and resistance against an invading empire with the defense of national identity and tradition, all presented through a comedic lens that avoids strong ideological advocacy. It consciously balances these competing viewpoints rather than promoting a singular political thesis.
The movie features traditional casting that aligns with the source material's predominantly white European characters, without explicit race or gender swaps for DEI purposes. Its narrative is a comedic adventure that does not critically portray traditional identities or center explicit DEI themes.
The film 'Astérix and Obélix: God Save Britannia' does not include any discernible LGBTQ+ characters, themes, or plotlines. The narrative focuses on the adventures of Astérix and Obélix in Britannia, with no elements related to queer identity or experiences.
The film features several female characters, but none are depicted engaging in or winning direct physical combat against one or more male opponents. The primary combat roles are held by male characters.
The film adapts existing Astérix comics. All established characters, including Astérix, Obélix, and other key figures from the source material, retain their canonical genders in the movie. No instances of gender swapping were identified.
The film adapts the Astérix comic books, featuring characters like Astérix, Obélix, and various Gauls, Britons, and Romans. All major characters are portrayed by actors whose race aligns with their established depiction in the source material, with no instances of a character canonically established as one race being portrayed as another.
Combines user and critic ratings from four sources