While on a trip to Paris with his fiancée's family, a nostalgic screenwriter finds himself mysteriously going back to the 1920s every day at midnight.
While on a trip to Paris with his fiancée's family, a nostalgic screenwriter finds himself mysteriously going back to the 1920s every day at midnight.
The film's central theme of an individual's journey to find personal happiness and artistic fulfillment by embracing the present rather than romanticizing the past is fundamentally apolitical, focusing on individual choice and perspective.
The movie features traditional casting without intentional race or gender swaps of established roles. Its narrative focuses on themes of nostalgia and romance, offering a neutral to positive portrayal of traditional identities without incorporating explicit DEI critiques.
The film portrays 'Christian values' through the character of John, Inez's father, who is depicted as materialistic, judgmental, and narrow-minded. The narrative implicitly critiques his bigoted views and hypocrisy, associating them with his invoked values.
Midnight in Paris does not include any identifiable LGBTQ+ characters or themes. The narrative primarily focuses on heterosexual relationships and the protagonist's journey through historical Paris, without engaging with queer identity or experiences.
The movie does not contain any action or adventure elements.
The film features numerous historical figures, all of whom are portrayed with their documented genders. The original characters created for the film do not have prior canonical genders to be swapped.
The film features original characters and numerous historical figures. For all historical figures, their on-screen portrayal matches their documented historical race. No established characters were depicted as a different race.
Combines user and critic ratings from four sources