Suzume, 17, lost her mother as a little girl. On her way to school, she meets a mysterious young man. But her curiosity unleashes a calamity that endangers the entire population of Japan, and so Suzume embarks on a journey to set things right.
Suzume, 17, lost her mother as a little girl. On her way to school, she meets a mysterious young man. But her curiosity unleashes a calamity that endangers the entire population of Japan, and so Suzume embarks on a journey to set things right.
While the film's core conflict of natural disaster and grief is apolitical, its solution heavily relies on the preservation of ancient traditions, spiritual practices, and the collective memory of a nation, aligning with right-leaning values of heritage and resilience.
This Japanese animated film features a female protagonist and a diverse range of Japanese characters, reflecting its cultural setting without engaging in explicit DEI-driven casting as defined by the provided framework. The narrative focuses on themes of grief, healing, and environmental recovery, and does not present a critical portrayal of traditional identities.
Suzume does not feature any identifiable LGBTQ+ characters or themes. The narrative focuses on heterosexual relationships and familial bonds, with no explicit or implicit representation of queer identities or experiences. Therefore, the film has no net impact on the portrayal of LGBTQ+ individuals.
The film features Suzume, who actively participates in sealing magical doors to prevent disasters. Her actions involve magical abilities and physical exertion like running and climbing, but she does not engage in direct physical combat, martial arts, or melee weapon fights against any male opponents.
Suzume is an original film with no pre-existing source material or historical figures. All characters were created for this specific movie, thus there are no instances of characters being portrayed with a different gender than previously established.
Suzume is an original animated film with characters created specifically for this production. There is no prior source material, historical figures, or established canon from which character races could have been altered.
Combines user and critic ratings from four sources