Viewer Rating
Combines user and critic ratings from four sources
After the attack on the Chief Cabinet Secretary, the next duty of the fourth office will be to guard the National Assembly building. In the midst of security, Ogata keeps Inoue away from the main conference hall and puts his well-thought-out plan into action, and the parliament building is controlled by SPs and terrorists who support the revolution. Inoue notices something strange and starts to fight against the terrorists to stop Ogata.
After the attack on the Chief Cabinet Secretary, the next duty of the fourth office will be to guard the National Assembly building. In the midst of security, Ogata keeps Inoue away from the main conference hall and puts his well-thought-out plan into action, and the parliament building is controlled by SPs and terrorists who support the revolution. Inoue notices something strange and starts to fight against the terrorists to stop Ogata.
The film maintains a neutral stance by focusing on universal human experiences and ethical dilemmas, without endorsing a specific political ideology or offering ideologically charged solutions.
The film features a cast that reflects its Japanese origin, without explicit race or gender swaps of traditionally white roles. Its narrative focuses on action and police procedural elements, and does not include critical portrayals of traditional identities or explicit DEI themes.
Based on the available information, the film 'SP: The Motion Picture II' does not appear to feature any identifiable LGBTQ+ characters or themes. Consequently, there is no specific portrayal to evaluate, resulting in a net impact rating of N/A.
The film features female characters, such as Eri Sasamoto, who are part of the security police team and participate in action sequences. However, no specific scenes depict a female character achieving victory over one or more male opponents in direct, close-quarters physical combat using skill, strength, or martial arts.
The film is a direct sequel within an established Japanese franchise. All major and supporting characters maintain their canonical genders as portrayed in the preceding television series and the first movie installment.
The film is a Japanese production, a sequel to a Japanese TV series, featuring characters and actors predominantly of Japanese ethnicity. There is no evidence of any character established as one race in the source material being portrayed by an actor of a different race.
Combines user and critic ratings from four sources