Charming, fast talking Marty Kaan and his crack team of management consultants know how to play the corporate game better than anyone, by using every dirty trick in the book to woo powerful CEOs and close huge deals. In the board rooms, barrooms, and bedrooms of the power elite, corruption is business as usual and everyone's out for themselves first. Nothing is sacred in this scathing, irreverent satire of corporate America today.
Charming, fast talking Marty Kaan and his crack team of management consultants know how to play the corporate game better than anyone, by using every dirty trick in the book to woo powerful CEOs and close huge deals. In the board rooms, barrooms, and bedrooms of the power elite, corruption is business as usual and everyone's out for themselves first. Nothing is sacred in this scathing, irreverent satire of corporate America today.
The series' central thesis critiques corporate greed and unethical capitalism, aligning with progressive values by exposing systemic flaws in the business world, though it refrains from explicitly championing a specific ideological solution.
The series features a visibly diverse main cast, including a prominent Black lead, but these roles are original and not explicit race or gender swaps of traditionally white characters. The narrative critiques corporate culture and individual moral ambiguity without explicitly targeting traditional identities or centering DEI themes.
House of Lies features a prominent gay main character, Clyde Oberholt, whose sexuality is consistently depicted as an integrated part of his identity. The show portrays his relationships and personal life with a tone consistent with its overall cynical and comedic style, neither overtly affirming nor denigrating LGBTQ+ identity, but rather presenting it as a facet of a complex character.
The protagonist, Marty Kaan, is an adaptation of the real-life author Martin Kihn, who is white. The character Marty Kaan is portrayed by a Black actor, constituting a race swap from the source material's author.
The show frequently satirizes characters who profess Christian values but act hypocritically, using their faith as a facade for self-serving or unethical corporate behavior. The narrative offers no significant counterbalancing positive portrayals, reinforcing a critical view of how religion is practiced in this environment.
The movie does not contain any action or adventure elements.
House of Lies is an original series inspired by a non-fiction book. Its main characters were created for the show and do not have pre-established canonical genders from prior fictional source material or historical records that were then changed.
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