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Checco, an uneducated but self-satisfied fellow from Milan, who has always dreamed of becoming a police officer, fails his entrance exam for the third time. It must be said that at the oral examination Checco said that the reason why he wanted to join the police was benefits in kind and cronyism! But the young man has connections and he soon finds himself a security agent at the Milan Cathedral. Of course the bumbling idiot proves a living catastrophe! Spotted by Sufien, an Arab terrorist who is preparing an attack against the cathedral, Checco appears as the perfect sucker. To manipulate him, he sends his charming sister Farah to him, with the mission to seduce him...
Checco, an uneducated but self-satisfied fellow from Milan, who has always dreamed of becoming a police officer, fails his entrance exam for the third time. It must be said that at the oral examination Checco said that the reason why he wanted to join the police was benefits in kind and cronyism! But the young man has connections and he soon finds himself a security agent at the Milan Cathedral. Of course the bumbling idiot proves a living catastrophe! Spotted by Sufien, an Arab terrorist who is preparing an attack against the cathedral, Checco appears as the perfect sucker. To manipulate him, he sends his charming sister Farah to him, with the mission to seduce him...
The film uses a political backdrop of terrorism and cultural clash for a comedic narrative, ultimately championing individual transformation through human connection and kindness rather than promoting specific left or right ideological solutions or critiques.
The movie features primarily traditional casting without explicit race or gender swaps of established roles. Its narrative does not critically portray traditional identities, nor does it center on strong, explicit DEI critiques.
The film portrays the Milan Cathedral, a significant Christian symbol, as the target of a terrorist attack. The narrative unequivocally condemns this act of violence, positioning the audience to sympathize with the preservation of the landmark and its cultural significance.
The film depicts a central group of Muslim characters as terrorists planning an attack, using this premise as the foundation for its comedic plot. While the terrorists are often portrayed as bumbling, the narrative does not offer a counterbalancing positive portrayal or nuance of Islam. Instead, the film's overall message, even through comedy, reinforces a negative stereotype by associating the faith with extremism and danger.
The film 'What a Beautiful Day' does not feature any identifiable LGBTQ+ characters or themes. Its narrative centers on comedic and satirical elements unrelated to queer identities or experiences, resulting in no portrayal to evaluate.
The movie does not contain any action or adventure elements.
This film is an original Italian comedy with original characters, not an adaptation, reboot, or biopic. Therefore, no characters existed in prior canon or history to establish a different gender for a potential swap.
This film is an original Italian comedy from 2011, not an adaptation, biopic, or reboot. All characters were created for this specific movie, meaning there is no prior canonical or historical race to compare against for any character.
Combines user and critic ratings from four sources