Martin Bohm, a widower and single father, is haunted by an inability to connect to his autistic, mute 11-year-old son, Jake. Their relationship and their lives take an extraordinary turn when he discovers his gifted son has the ability to see things that no one else can and the patterns that connect seemingly unrelated events.
Martin Bohm, a widower and single father, is haunted by an inability to connect to his autistic, mute 11-year-old son, Jake. Their relationship and their lives take an extraordinary turn when he discovers his gifted son has the ability to see things that no one else can and the patterns that connect seemingly unrelated events.
The series explores themes of universal interconnectedness and the impact of individual actions, presenting a humanistic and philosophical narrative that consciously avoids partisan political stances. Its focus on the mystery of existence and the power of empathy transcends specific ideological frameworks.
The movie features visible diversity in its cast with significant roles for minority actors, though these roles do not appear to be explicit race or gender swaps of traditionally white characters. The narrative primarily focuses on themes of interconnectedness and destiny, without explicitly critiquing traditional identities or making DEI themes central to its core message.
The show portrays Christian characters as sympathetic individuals whose faith, when depicted, is a personal and often positive aspect of their lives. The narrative consistently treats these adherents with respect and avoids negative stereotypes.
The series "Touch" does not feature any identifiable LGBTQ+ characters or themes. The narrative primarily focuses on the protagonist's son, Jake, who can predict future events through numbers, and the interconnectedness of various individuals, without incorporating queer identities or storylines.
The movie does not contain any action or adventure elements.
The show "Touch" is an original series, not an adaptation or reboot. All characters were created specifically for this production, meaning there are no pre-existing canonical or historical figures whose gender could have been swapped.
Touch is an original television series, not an adaptation of existing source material or a historical depiction. All characters were created for the show, meaning there are no pre-established racial identities from prior canon to be altered.
Combines user and critic ratings from four sources