8.0
Viewer Rating
Combines user and critic ratings from four sources
Undercover (2011)
Bias Rating
Analyzing...
Leans Traditional
Viewer Rating
Rating: 8.0
Overview
Just an ordinary boy from the Sofia suburbs becomes the first bulgarian undercover cop. Forced by his father when he was young to lie and cheat, Martin becomes the perfect liar. That skill, and also the hatred of the 'underworld' makes him the perfect match for a dangerous mission - to infiltrate the crime organisation of a rich and powerful businessman. While infiltrating and living in fear of being uncovered, Martin falls in love with the most inappropriate woman - Djaro's girlfriend, Suni. Just when he gains the trust of the mobsters, it appears that the real enemy is in the police. Martin is alone against all, facing difficult decisions.
Starring Cast
Bias Dimensions
Political: Center
Diversity: Low
Islam: Positive
Overview
Just an ordinary boy from the Sofia suburbs becomes the first bulgarian undercover cop. Forced by his father when he was young to lie and cheat, Martin becomes the perfect liar. That skill, and also the hatred of the 'underworld' makes him the perfect match for a dangerous mission - to infiltrate the crime organisation of a rich and powerful businessman. While infiltrating and living in fear of being uncovered, Martin falls in love with the most inappropriate woman - Djaro's girlfriend, Suni. Just when he gains the trust of the mobsters, it appears that the real enemy is in the police. Martin is alone against all, facing difficult decisions.
Starring Cast
Detailed Bias Analysis
Analyzing...
Leans Traditional
Primary
The film's central conflict revolves around law enforcement combating organized crime through undercover operations, a theme that is generally apolitical and focuses on procedural and dramatic elements rather than promoting a specific ideological solution.
The movie features a predominantly traditional cast without explicit DEI-driven recasting. Its narrative, a crime drama, does not appear to critically frame traditional identities or center explicit DEI themes.
Secondary
The series satirizes the media's sensationalist and prejudiced approach to investigating a mosque for radicalization, ultimately critiquing the journalists' bigotry and positioning the audience to view the Muslim community with more nuance.
The series "Undercover" does not feature any identifiable LGBTQ+ characters or themes within its narrative. The plot focuses on undercover agents infiltrating a drug lord's operation, with no discernible queer representation or related storylines. Consequently, there is no portrayal to evaluate.
The show features prominent female characters, particularly Kim De Rooij, who is an undercover agent. While she navigates dangerous situations and plays a crucial role in investigations, her victories and confrontations are not depicted as close-quarters physical combat against male opponents. The series focuses more on intelligence, strategy, and the psychological aspects of undercover work.
Undercover (2011) is an original British miniseries. Its characters were created specifically for this production, meaning there is no prior canonical or historical baseline against which to assess a gender swap.
The 2011 series "Undercover" is an original production, not an adaptation of existing material with pre-established character races or a depiction of historical figures. Therefore, no characters could have been race-swapped from a prior canon.
Viewer Rating Breakdown
User Ratings
8.9
7.1
Critic Ratings
N/A
N/A
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