Ip Man has to travel to San Francisco to find a new school for his son who just gets expelled. When he attempts to get a recommendation letter from the Chinese Benevolent Association, he finds that the martial arts maste...
Ip Man has to travel to San Francisco to find a new school for his son who just gets expelled. When he attempts to get a recommendation letter from the Chinese Benevolent Association, he finds that the martial arts maste...
The film's central conflict explicitly portrays racism and xenophobia against Chinese immigrants in the United States, aligning its dominant themes with progressive values of social justice and the defense of marginalized communities. While the narrative often champions individual heroism as a solution, the core problem addressed firmly places the film in a left-leaning context.
The film features a visibly diverse cast, reflecting the cultural clashes between Chinese immigrants and American society. Its narrative explicitly critiques traditional white identities by portraying white characters as antagonists embodying racism and xenophobia, making themes of racial discrimination central to the plot.
The film 'Ip Man 4: The Finale' does not feature any identifiable LGBTQ+ characters or themes. Its narrative focuses on Ip Man's experiences with racism and his martial arts philosophy in 1960s San Francisco, without touching upon queer identity or related issues.
The film does not feature any female characters engaging in or winning close-quarters physical combat against male opponents. The combat scenes primarily involve male characters.
The film features historical figures like Ip Man and Bruce Lee, who are portrayed with their historically established genders. All other significant characters are either new to this installment or maintain their gender from previous canon, thus no gender swaps occur.
The film is a biographical martial arts movie. Key historical figures like Ip Man and Bruce Lee are portrayed by actors of the same race as the historical figures. New characters introduced do not represent a race swap from any established canon or source material.
Combines user and critic ratings from four sources