Leans Progressive
7.0
I, Son of the Working People
(1983)
Political: Strong Left
Diversity: Low
Idler (1932)
Bias Rating
Analyzing...
Leans Progressive
Viewer Rating
Not Rated
Overview
The main character of the film, Stepanov, was known as a quitter and a drunkard. He was constantly late for work, skipped shifts, and often showed up to the factory intoxicated. However, Stepanov secretly dreamed of becoming like the skilled drummer Fedorov. With the help and support of the factory staff, he began to improve.
Starring Cast
Bias Dimensions
Political: Strong Left
Diversity: Low
Overview
The main character of the film, Stepanov, was known as a quitter and a drunkard. He was constantly late for work, skipped shifts, and often showed up to the factory intoxicated. However, Stepanov secretly dreamed of becoming like the skilled drummer Fedorov. With the help and support of the factory staff, he began to improve.
Starring Cast
Detailed Bias Analysis
Analyzing...
Leans Progressive
Primary
The film's central thesis, likely a critique of bourgeois idleness and a promotion of socialist labor, explicitly aligns with progressive and anti-capitalist ideology, characteristic of early Soviet cinema.
The film, a 1918 Russian production, adheres to traditional casting practices of its era, featuring a predominantly white cast without intentional race or gender swaps. Its narrative does not present critiques of traditional identities or incorporate explicit DEI themes, reflecting the societal and cinematic norms of the early 20th century.
Secondary
Without specific plot details or character information for 'Idler,' it is not possible to evaluate its portrayal of LGBTQ+ characters or themes. Therefore, the film's net impact on LGBTQ+ representation cannot be determined.
The movie does not contain any action or adventure elements.
No source material or prior canon for "Idler" (1932) is provided, making it impossible to identify any characters whose gender was previously established and subsequently changed in this film.
The film "Idler" (1932) by Ivane Perestiani is not widely documented, and no information about its characters or source material is available to establish a canonical or historical race for any character. Therefore, a race swap cannot be identified.
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