Leans Progressive
7.5
7 Khoon Maaf
(2011)
Political: Center
Diversity: High
An Event in Saint-Louis (1932)
Bias Rating
Analyzing...
Leans Progressive
Viewer Rating
Not Rated
Overview
Armenian refugees in France try to organize a public screening of a film about the Soviet Armenia, together with the French members of an underground organization.
Starring Cast
Bias Dimensions
Political: Strong Left
Diversity: Low
Christianity: Negative
Overview
Armenian refugees in France try to organize a public screening of a film about the Soviet Armenia, together with the French members of an underground organization.
Starring Cast
Detailed Bias Analysis
Analyzing...
Leans Progressive
Primary
The film's central thesis explicitly promotes anti-capitalist and pro-worker ideology, originating as Soviet propaganda that critiques the systemic failures of capitalism and state oppression.
The movie features traditional casting consistent with its historical context, without intentional race or gender swaps. Its narrative, typical of its era and origin, does not explicitly critique traditional identities in a modern DEI framework.
Secondary
The film, a Soviet propaganda piece, satirically portrays Christianity as a deceptive force used by the ruling class to pacify the working poor during the Great Depression. It depicts religious figures as hypocritical and the faith itself as an opiate that distracts from systemic issues, offering no counterbalancing positive portrayal.
This 1938 Soviet propaganda film focuses on racial injustice and a lynching in St. Louis, Missouri, USA. Its narrative is entirely centered on these themes, with no identifiable LGBTQ+ characters or themes present in the story.
The movie does not contain any action or adventure elements.
There is no available information indicating that "An Event in Saint-Louis" (1932) is an adaptation of prior source material or features historical figures with established genders. Therefore, no characters can be identified as having undergone a gender swap.
The film's characters are original to its narrative, depicting racial dynamics in a fictionalized setting. There is no evidence of characters being adapted from prior source material or historical records where their race was established differently than portrayed in this film.
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