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Combines user and critic ratings from four sources
In the near future, the world is ruled by the Smart Brain Corporation, with 90% of the population being Orphnoch, and the once prominent human race is nearing extinction. Takumi Inui, Kamen Rider Faiz, was once regarded as mankind’s savior until, in an attack by Smart Brain troops, he was presumed dead. Since then, human rebel groups have staged attacks on Smart Brain’s complex in an attempt to steal the top-secret Emperor Belts, with no success. Kiba Yuji, Naoya Kaidō and Yuka Osada attempt to ease tensions between both races but their peace meeting is interrupted by Smart Brain troops and their newest warrior, Kamen Rider Psyga. Takumi, believing himself a young cobbler named Takeshi, regains his memory and becomes Kamen Rider Faiz again to settle things with Smart Brain once and for all.
In the near future, the world is ruled by the Smart Brain Corporation, with 90% of the population being Orphnoch, and the once prominent human race is nearing extinction. Takumi Inui, Kamen Rider Faiz, was once regarded as mankind’s savior until, in an attack by Smart Brain troops, he was presumed dead. Since then, human rebel groups have staged attacks on Smart Brain’s complex in an attempt to steal the top-secret Emperor Belts, with no success. Kiba Yuji, Naoya Kaidō and Yuka Osada attempt to ease tensions between both races but their peace meeting is interrupted by Smart Brain troops and their newest warrior, Kamen Rider Psyga. Takumi, believing himself a young cobbler named Takeshi, regains his memory and becomes Kamen Rider Faiz again to settle things with Smart Brain once and for all.
The film explores the conflict between humans and Orphnochs, critiquing prejudice and extremism from both sides while championing individual moral choice and the possibility of coexistence as a solution.
The film features a cast typical of a Japanese production, without engaging in explicit DEI-driven casting or recasting of traditionally white roles. Its narrative maintains a neutral or positive framing of traditional identities, with no explicit critique of white or male identities as central themes.
The film features Yuka Osada, who, in her Crane Orphnoch form, engages in and wins direct physical combat against multiple male Riotroopers. Her victory is achieved through a combination of martial prowess and her inherent Orphnoch abilities.
Kamen Rider 555: Paradise Lost does not include any explicit or implicit LGBTQ+ characters or themes. The narrative focuses on its core sci-fi action plot and character conflicts without engaging with queer identities or experiences.
The film features established characters from the Kamen Rider 555 TV series, all of whom retain their original genders. New characters introduced in the movie are not gender-swapped versions of prior canon.
The film is a Japanese production based on a Japanese TV series, featuring characters and actors consistently portrayed as Japanese. There are no instances of characters established as one race in prior canon being portrayed as a different race in this movie.
Combines user and critic ratings from four sources